Avant-Garde, Internationalism, and Politics : Argentine Art in the Sixties /

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The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Giunta, Andrea (Autor)
Otros Autores: Kahn, Peter, Mignolo, Walter D. (Editor ), Saldívar-Hull, Sonia (Editor ), Silverblatt, Irene (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2007]
Colección:Latin America otherwise : languages, empires, nations : 46
Temas:
Art > Political aspects > Argentina.
Art, Argentine > 20th century.
Avant-garde (Aesthetics) > Argentina > History > 20th century.
ART / History / Contemporary (1945-).
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • CONTENTS
  • List of Illustrations
  • About the Series
  • Preface and Acknowledgments
  • Translator's Note
  • Abbreviations
  • Introduction
  • CHAPTER 1. MODERN ART ON THE MARGINS OF PERONISM
  • Postwar Chronicle
  • The North American Invasion
  • Abstract Artists Between Communists and Liberals
  • The Platforms for the Displaced
  • The Official Policy Toward Art
  • The French Invasion
  • Controversies on Abstract Art
  • Between Peronism and Abstract Art: Coming to Terms
  • Ver y Estimar on the Ramparts of Modern Art
  • CHAPTER 2. Proclamations and Programs During the Revolución Libertadora
  • The Embassies of Art
  • A Revitalized Museum
  • A New Museum for the New Art
  • Boa, Phases, and the International Front of the Avant- Garde
  • Conflicting Internationalisms
  • The Exploration of Materials
  • CHAPTER 3. THE "NEW" ART SCENE
  • Journal of a Collector
  • Coming Out in Society
  • The First International Exhibition
  • The 150th Anniversary Celebrations
  • A Plan for Success
  • CHAPTER 4. THE AVANT-GARDE AS PROBLEM
  • The Material Limits
  • The Art of "Things"
  • An Aesthetic of Violence
  • Argentines in Paris
  • Avant-Garde and Narration
  • The Total Art Object
  • CHAPTER 5. THE DECENTERING OF THE MODERNIST PARADIGM
  • Suspending Judgment and Embracing Novelty
  • Other Genealogies for Modern Art
  • An All-Consuming Aesthetic
  • CHAPTER 6. STRATEGIES OF INTERNATIONALIZATION
  • The American Family
  • International Awards for National Recognition
  • The Circulating MoMA Exhibitions
  • 1964: The Year of Recognition
  • Biennial and Anti-Biennial
  • The Culmination of Internationalism
  • The Aporias of Internationalism
  • CHAPTER 7. THE AVANT-GARDE BETWEEN ART AND POLITICS
  • The Artist as Intellectual
  • A "Plastic" Crime
  • The Politics of Assemblage
  • The Avant-Garde Between the Two Boundaries
  • Art as a Collective and Violent Action
  • Conclusions
  • Notes
  • Bibliography
  • Index

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