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Phonographies : Grooves in Sonic Afro-Modernity /
Phonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2005]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Weheliye, Alexander G., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Phonographies : |b Grooves in Sonic Afro-Modernity / |c Alexander G. Weheliye. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2005] | |
| 264 | 4 | |c ©2005 | |
| 300 | |a 1 online resource (304 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Intro: It's Beginning to Feel Like . . . -- |t 1 Hearing Sonic Afro-Modernity -- |t 2 ''I Am I Be'': A Subject of Sonic Afro-Modernity -- |t 3 In the Mix -- |t 4 Consuming Sonic Technologies -- |t 5 Sounding Diasporic Citizenship -- |t Outro: Thinking Sound/Sound Thinking (Slipping into the Breaks Remix) -- |t Notes -- |t Works Cited -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Phonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms "sonic Afro-modernity." He shows that by separating music and speech from their human sources, sound-recording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernity-among these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity.Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W. E. B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrong's voice to DJ mixing techniques to Darnell Martin's 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afro-diasporic musical acts: the Haitian and African American rap group the Fugees, the Afro- and Italian-German rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twenty-first, by the circulation of culture via technological reproductions-records and tapes, dubbing and mixing, and more. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a African Americans |v Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 650 | 0 | |a Blacks |v Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Blacks |x Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music and literature |x History |y 20th century. | |
| 650 | 0 | |a Popular music |x Social aspects |x History |y 20th century. | |
| 650 | 0 | |a Sound |x Recording and reproducing |x Social aspects. | |
| 650 | 7 | |a MUSIC / Genres & Styles / Pop Vocal. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Duke University Press Backlist eBook-Package 2000-2013 |z 9783110711837 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780822386933 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822386933 |z Texto completo |
| 912 | |a 978-3-11-071183-7 Duke University Press Backlist eBook-Package 2000-2013 |c 2000 |d 2013 | ||
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