Cargando…

Shades of Black : Assembling Black Arts in 1980s Britain /

In the 1980s-at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities-the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Bailey, David A. (Editor ), Bailey, David (Contribuidor), Bannerman, Adelaide (Contribuidor), Baucom, Ian (Contribuidor, Editor ), Boyce, Sonia (Contribuidor, Editor ), Fisher, Jean (Contribuidor), Wainwright, Leon (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2005]
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

LEADER 00000nam a22000005i 4500
001 DEGRUYTERUP_9780822386445
003 DE-B1597
005 20220302035458.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20052005ncu fo d z eng d
020 |a 9780822386445 
024 7 |a 10.1515/9780822386445  |2 doi 
035 |a (DE-B1597)553015 
035 |a (OCoLC)1226680080 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a ncu  |c US-NC 
050 4 |a N6768 
072 7 |a ART015000  |2 bisacsh 
082 0 4 |a 704.03/96041/09048 
245 0 0 |a Shades of Black :  |b Assembling Black Arts in 1980s Britain /  |c ed. by David A. Bailey, Ian Baucom, Sonia Boyce. 
264 1 |a Durham :   |b Duke University Press,   |c [2005] 
264 4 |c ©2005 
300 |a 1 online resource (368 p.) :  |b 116 (31 in color; 85 in timeline as b-w) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 0 |t Frontmatter --   |t contents --   |t Shades of Black: Assembling the 1980s --   |t part one texts --   |t Stuart Hall Assembling the 1980s: The Deluge-and After --   |t Rasheed Araeen The Success and Failure of the Black Arts Movement --   |t Keith Piper Wait, Did I Miss Something? Some Personal Musings on the 1980s and Beyond --   |t Lubaina Himid Inside the Invisible: For/Getting Strategy --   |t Kobena Mercer Iconography after Identity --   |t susan pui san lok A to Y (Entries for an Inventionry of Dented "I"s) --   |t Zineb Sedira in collaboration with Jawad Al-Nawab On Becoming an Artist: Algerian, African, Arab, Muslim, French, and Black British? A Dialogue of Visibility --   |t Yong Soon Min and Allan deSouza CoRespondents --   |t Judith Wilson Triangular Trades: Late-Twentieth-Century "Black" Art and Transatlantic Cultural Commerce --   |t Dawoud Bey Collaborative Projects: Toward a More Inclusive Practice --   |t Stan Abe Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism --   |t Naseem Khan Choices for Black Arts in Britain over Thirty Years --   |t Gilane Tawadros A Case of Mistaken Identity --   |t color plates --   |t part two the conference --   |t Conference Papers and Speakers --   |t Dialogues --   |t part three time lines --   |t Introduction --   |t Time Lines --   |t part four recommended reading --   |t Introduction --   |t Histories and Positions --   |t Visual Practices --   |t Exhibitions and Display --   |t Institutions, Policies, and Reports --   |t Contributors --   |t Acknowledgments --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a In the 1980s-at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities-the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement-particularly given that "black" in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin.In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today's artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Art, Black  |z Great Britain  |v Congresses. 
650 0 |a Art, British  |y 20th century  |v Congresses. 
650 0 |a Multiculturalism in art  |v Congresses. 
650 0 |a Postcolonialism and the arts  |v Congresses. 
650 7 |a ART / History / General.  |2 bisacsh 
700 1 |a Bailey, David A.,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Bailey, David,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Bannerman, Adelaide,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Baucom, Ian,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Baucom, Ian,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Boyce, Sonia,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Boyce, Sonia,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Fisher, Jean,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Wainwright, Leon,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Duke University Press Backlist eBook-Package 2000-2013  |z 9783110711837 
856 4 0 |u https://doi.uam.elogim.com/10.1515/9780822386445  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9780822386445  |z Texto completo 
912 |a 978-3-11-071183-7 Duke University Press Backlist eBook-Package 2000-2013  |c 2000  |d 2013 
912 |a EBA_DUK_ALL 
912 |a EBA_DUK_EALL 
912 |a EBA_DUK_SSHALL 
912 |a GBV-deGruyter-alles