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Disintegrating the Musical : Black Performance and American Musical Film /
From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2002]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Disintegrating the Musical
- 1.
- Chapter one. Wearing and Tearing the Mask: Blacks on and in Blackface, Live
- Chapter two ''Fool Acts'': Cinematic Conjunctions of White Blackface and Black Performance
- Chapter three Indefinite Talk: Blacks in Blackface, Filmed
- 2.
- Chapter four. Black Folk Sold: Hollywood's Black-Cast Musicals
- Chapter five. ''Aping'' Hollywood: Deformation and Mastery in The Duke is Tops and Swing!
- Chapter six. Jammin' the Blues: The Sight of Jazz, 1944
- Coda Bamboozled?
- Notes
- Bibliography
- Index