Cargando…
Blues and Roots/Rue and Bluets : A Garland for the Southern Appalachians /
Jonathan Williams's poetry has been described as brilliant, sensuous, lyrical, quirky, suave, vital, joyful, sardonic, melodious, passionate, alive, pyrotechnic. This new, much enlarged edition of Blues and Roots displays all of the above. Williams has tramped the Appalachian Trail for decades,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2008]
|
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780822382959 | ||
| 003 | DE-B1597 | ||
| 005 | 20201125033335.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 201125t20081985ncu fo d z eng d | ||
| 020 | |a 9780822382959 | ||
| 024 | 7 | |a 10.1515/9780822382959 |2 doi | |
| 035 | |a (DE-B1597)552177 | ||
| 035 | |a (OCoLC)1055302977 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a ncu |c US-NC | ||
| 050 | 4 | |a PS3545.I52966 |b B64 1985 | |
| 072 | 7 | |a POE005010 |2 bisacsh | |
| 082 | 0 | 4 | |a 811/.54 |2 19 |
| 100 | 1 | |a Williams, Jonathan, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Blues and Roots/Rue and Bluets : |b A Garland for the Southern Appalachians / |c Jonathan Williams. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2008] | |
| 264 | 4 | |c ©1985 | |
| 300 | |a 1 online resource (112 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Introduction -- |t A Note -- |t A Valediction For My Father, Ben Williams (1898-1974) -- |t Bea Hensley Hammers an Iron Chinquapin Leaf On His Anvil Near Spruce Pine & Cogitates on the Nature of Two Beauty Spots -- |t The Hermit CachleberryBrown, On Human Vanity -- |t Lee Ogle Ties (/,Broom & PondersCuresfor Arthuritis -- |t Old Man Sam Ward's History of the Gee-Haw Whimmy-Diddle -- |t Paint Sign on a Rough Rock, Y onside of Boone Side of Shady Valley -- |t Daddy Bostain, the Moses of the Wing Community Moonshiners, Laments from His Deathbed the Spiritual Estate Of One of His Soul-Saving Neighbors: -- |t Laments from the Pigeon Roost News -- |t Three Thefts from John Ehle's Prose -- |t Three Graffitiin the Vici1zityof The Mikado Baptist Church, Deep in NacoocheeValley -- |t A Pileated Woodpecker'sResponseto FourDogwood Berries -- |t A Blue Ridge lVeather Prophet Makes Twelve Stitches in Time On the Twelfth Day of Christmas -- |t While Down at the Formicary, Time Flies -- |t The Yellow Peril at Moore's Grocery -- |t Three Sayingsfrom Highlands, North Carolina -- |t Granny Donaldson Scoffs at Skeptics & the Uninitiated As She WVrksUp a Cow-Blanket (0/ Homespun, Crocheting & Applique) up a Branch near Brasstown, Georgia -- |t A Blazon, Built Of the Commonest of All Common Eurasian weeds Of the Fields and the wayside -- |t The Ancient of Days -- |t Miss Lucy Morgan Shows Me a Photograph Of Mrs. Mary Grindstaff Spinning WOolon the High Wheel -- |t Aunt Dory Ellis, of Penland, Remembers When She Fell in Her Garden at the Home Place And Broke Her Hip in 19 and 56 -- |t Mrs, Sadie Grindstaff, weaver &Factotum, Explains the Work-Principle to the Modern World -- |t Aunt Creasy, On Work: -- |t Uncle Iv Surveys His Domain from His Rocker Of a Sunday Afternoon as Aunt Dory Starts To Chop the Kindling -- |t The SeptemberSatisfactionof UncleIv Owens: -- |t Three Bearsof Different Sizes, Dreaming from Three Hollow Logs On Mt. Kephart in the Great Smokies On a ~rm Day in February -- |t The ColossalMaw from ~r-lf1Jman Dell, Georgia -- |t Lipstick Sign under the Concrete Bridge over Middle Creek -- |t The Nostrums of the Black Mountain Publican -- |t John Chapman Pulls off the Highway towards Kentucky And Casts a Cold Eye on the Most Astonishing Sign In Recent American Letters -- |t Stone Sign By the Temple Congregational Community Church's Resident Theologaster On the Banks of the Tallulah River -- |t Logger to Dozer -- |t Cracker-Barrel Reveries on the Tune "Pax Americana" -- |t A Mnemonic Wallpaper Pattern for Southern Two-Seaters -- |t A Ride in a Blue Chevy from Alum Cave Trail to Newfound Gap -- |t Dear Reverend Carl c. McIntire: -- |t The Remains of a Sign, Mitchell County, North Carolina -- |t Who Is Little Enis? -- |t Plain, Absolutely Unrefined -- |t In the Piedmont -- |t Three Ripples in the TuckaseigeeRiver -- |t A Week from the Big Pigeon To the Little Tennessee River -- |t What Are the Names Of the More Remote Mountains of Northwestern Georgia? -- |t The Traditionally Accommodating Spirit of the Mountains Shows Up in Neon in Franklin, NC, Once Nikwasi, a Cherokee Capital -- |t Selected Listings from the western Carolina Telephone Company's Directory (Bryson City, Cashiers, Cherokee-Whittier, Cullowhee, Franklin, Highlands, Sylva) -- |t Red-BoneHeaven -- |t Aubade -- |t Jeff Brooks, ~gon-Master of Andrews, En Route to Franklin through the Nantahalas: -- |t What Are the Names Ofthe Three Tutelary Hamadryads Ofthe Hickory Grove On Dirty John Creek in the Nantahalas? -- |t A Chorale* of CherokeeNight Music As Heard through an Open Window In SummerLong Ago -- |t Night Landscape in Nelson Cottnty, Kentucky -- |t The Custodianof a Field of Whiskey Bushes By the Nolichucky River Speaks: -- |t Standing by His Trailer-Studio In Campton, Kentucky, Edgar Tolson Whittles a Few Syllables -- |t RusticatedVariationon a Poem by LadislavNovak -- |t A Rhyme Without End for Howard Finster About How It All Began in the Country Near Lookout -- |t The Lord. WOrkingin Mysteriousmtys, at ScalyMountain -- |t Cobwebbery -- |t The Autochthon -- |t Osiris,from His Caveto Spring -- |t Ye Rattle-Snake -- |t A Votre Sante At The Headwaters of the Santee -- |t The Chiromantic Philologist; Of, A Brief Word from Charles Olson -- |t A Note* on the European Background of Sempervivum Tectorurn, Which weNow Call 'Houseleee' or 'Hen-and-Cbiclsens' -- |t A Round of Nouns in Jackson County -- |t The Action During the Pour-Down* At Plum Orchard Gap Shelter, September 29, 1964: -- |t Mr. Rufus Cook Blairsville, Georgia -- |t The Laconic} Contrapuntal Nocturne of Two Goatsuceers, Atop the Lean-To at Addis Gap} Interrupted by a Disturbed Barn Owl* -- |t LaSource -- |t Drafts for Dimities, Coverlets & Quilts -- |t The Flower-Hunter in the Fields -- |t The Leaf of Galax and the Habit of Pyrola -- |t An Aubade from Verlaine's Day (for Alfred Stieglitz) -- |t The Deracination -- |t The Rev, A, Rufus Morgan} In His 93rd Year} On l1fount LeConte -- |t From Uncle Jake Carpenter's Antholo gy of Death on Three-Mile Creee -- |t To Carvein Wild Cherry For John JacobNiles -- |t Epitaphsfor Two Neighborsin MaconCounty No Poet CouldForget -- |t The Epitaph on Uncle Nick Grindstaff's Grave On the Iron Mountain Above Shady Valley, Tennessee: -- |t The Whole Scene, In a Two-Hundred-Year-Old Demographic Nutshell |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Jonathan Williams's poetry has been described as brilliant, sensuous, lyrical, quirky, suave, vital, joyful, sardonic, melodious, passionate, alive, pyrotechnic. This new, much enlarged edition of Blues and Roots displays all of the above. Williams has tramped the Appalachian Trail for decades, botanizing, jotting down specimens of authentic American speech, graffiti, superstitions, and nostrums-always curious, alert, and affectionately attentive. Blues and Roots focuses on the linguistic horizon of Appalachia in lyrics of wonder and light, of wit and comic incongruity, in found poems of the speech of his mountain neighbors. Publishers Weekly said of the earlier edition, "One of the most beautiful and evocative tributes to the Appalachians and its people yet published." Blues and Roots is a fine celebration; Wiliams is a joyful ringmaster. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | |
| 650 | 0 | |a Mountain life |v Poetry. | |
| 650 | 7 | |a POETRY / American / General. |2 bisacsh | |
| 700 | 1 | |a Liebowitz, Herbert | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DUK Archive eBook-Package 1964-1999 |z 9783110713602 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780822382959 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822382959 |z Texto completo |
| 912 | |a 978-3-11-071360-2 DUK Archive eBook-Package 1964-1999 |c 1964 |d 1999 | ||
| 912 | |a EBA_DUK_ALL | ||
| 912 | |a EBA_DUK_EALL | ||
| 912 | |a EBA_DUK_SSHALL | ||
| 912 | |a GBV-deGruyter-alles | ||