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Making Cinelandia : American Films and Mexican Film Culture before the Golden Age /
In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were no...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Serna, Laura Isabel, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Making Cinelandia : |b American Films and Mexican Film Culture before the Golden Age / |c Laura Isabel Serna. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (333 p.) : |b 46 illustrations, 3 maps | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t A NOTE ON TRANSLATIONS AND FILM TITLES -- |t PRÓLOGO (PROLOGUE) -- |t ACKNOWLEDGMENTS -- |t INTRODUCTION -- |t PART I. THE YANQUI INVASION -- |t 1. U.S. MOTION PICTURE COMPANIES GO SOUTH OF THE BORDER -- |t 2. AMERICAN MOVIES, MEXICAN MODERNITY -- |t 3. IN LOLA'S HOUSE -- |t PART II. BORDER CROSSINGS -- |t 4. LA VIRGEN AND L A PELONA -- |t 5. DENIGRATING PICTURES -- |t 6. AL CINE -- |t CONCLUSION -- |t ABBREVIATIONS OF FREQUENTLY CITED SOURCES -- |t NOTES -- |t BIBLIOGRAPHY -- |t FILMOGRAPHY -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | |
| 650 | 0 | |a Motion pictures |z Mexico |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures, American |z Mexico |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures, Mexican |x History |y 20th century. | |
| 650 | 0 | |a National characteristics, Mexican, in motion pictures. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DUK eBook-Package 2014-2015 |z 9783110711820 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780822376798 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822376798 |z Texto completo |
| 912 | |a 978-3-11-071182-0 DUK eBook-Package 2014-2015 |c 2014 |d 2015 | ||
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