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Skin Acts : Race, Psychoanalysis, and the Black Male Performer /
In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cult...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Stephens, Michelle Ann, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Skin Acts : |b Race, Psychoanalysis, and the Black Male Performer / |c Michelle Ann Stephens. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (296 p.) : |b 55 illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t contents -- |t PREFACE -- |t ACKNOWLEDGMENTS -- |t chapter one Seeing Faces, Hearing Signs -- |t chapter two Bodylines, Borderlines, Color Lines -- |t chapter three The Problem of Color -- |t chapter four In the Flesh, Living Sound -- |t CONCLUSION. Defacing Race, Rethinking the Skin -- |t NOTES -- |t BIBLIOGRAPHY -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other-intersubjective, pre-discursive, and sensuous-forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DUK eBook-Package 2014-2015 |z 9783110711820 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780822376651 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822376651 |z Texto completo |
| 912 | |a 978-3-11-071182-0 DUK eBook-Package 2014-2015 |c 2014 |d 2015 | ||
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