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Uplift Cinema : The Emergence of African American Film and the Possibility of Black Modernity /
In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses f...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Field, Allyson Nadia, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Uplift Cinema : |b The Emergence of African American Film and the Possibility of Black Modernity / |c Allyson Nadia Field. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (344 p.) : |b 68 illustrations | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Preface -- |t Acknowledgments -- |t Introduction -- |t 1. THE AESTHETICS OF UPLIFT -- |t 2. "TO SHOW THE INDUSTRIAL PROGRESS OF THE NEGRO ALONG INDUSTRIAL LINES" -- |t 3. "PICTORIAL SERMONS" -- |t 4. "A VICIOUS AND HURTFUL PLAY" -- |t 5. TO "ENCOURAGE AND UPLIFT" -- |t Epilogue -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | |
| 650 | 0 | |a African Americans in motion pictures |x History |y 20th century. | |
| 650 | 0 | |a African Americans in the motion picture industry |x History |y 20th century. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DUK eBook-Package 2014-2015 |z 9783110711820 |
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| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822375555 |z Texto completo |
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