Marshall Plan Modernism : Italian Postwar Abstraction and the Beginnings of Autonomia /

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Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singul...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mansoor, Jaleh (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2016]
Colección:Art History Publication Initiative
Temas:
Art, Abstract > Italy.
Art, Italian > 20th century.
Modernism (Art) > Italy.
ART / European.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • CONTENTS
  • ACKNOWLEDGMENTS
  • INTRODUCTION. LABOR, (WORKERS') AUTONOMY, (ART) WORK
  • ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY
  • TWO. LUCIO FONTANA AND THE POLITICS OF THE GESTURE
  • THREE. ALBERTO BURRI'S PLASTICS AND THE POLITICAL AESTHETICS OF OPACITY
  • FOUR. "WE WANT TO ORGANICIZE DISINTEGRATION"
  • CONCLUSION. "READY-MADE ARTIST AND HUMAN STRIKE," OR FROM AUTONOMY TO STRIKE
  • NOTES
  • BIBLIOGRAPHY
  • INDEX

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