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On Site, In Sound : Performance Geographies in América Latina /
In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation ar...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2018]
|
| Colección: | Refiguring American Music : 25
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a On Site, In Sound : |b Performance Geographies in América Latina / |c Kirstie A. Dorr. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2018] | |
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| 300 | |a 1 online resource (256 p.) : |b 15 illustrations | ||
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| 490 | 0 | |a Refiguring American Music : 25 | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGMENTS -- |t INTRODUCTION -- |t 1 SOUNDING PLACE OVER TIME -- |t 2 PUTUMAYO AND ITS DISCONTENTS -- |t 3 (INTER)NATIONAL STAGES, MUJERES BRAVAS, AND THE SPATIAL POLITICS OF DIASPORA -- |t 4 "YOU CAN'T HAVE A REVOLUTION WITHOUT SONGS" -- |t EPILOGUE -- |t NOTES -- |t BIBLIOGRAPHY -- |t INDEX |
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| 520 | |a In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | |
| 650 | 0 | |a Music and globalization |z Latin America. | |
| 650 | 0 | |a Music |x Political aspects |z Latin America. | |
| 650 | 0 | |a Music |x Social aspects |z Latin America. | |
| 650 | 0 | |a Music |z Latin America |x History and criticism. | |
| 650 | 7 | |a MUSIC / Ethnomusicology. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Duke University Press Complete eBook-Package 2018 |z 9783110696332 |
| 776 | 0 | |c print |z 9780822368557 | |
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| 912 | |a 978-3-11-069633-2 Duke University Press Complete eBook-Package 2018 |b 2018 | ||
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