Mapping Modernisms : Art, Indigeneity, Colonialism /
Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual fo...
Clasificación: | Libro Electrónico |
---|---|
Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Durham :
Duke University Press,
[2018]
|
Colección: | Objects/Histories
|
Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
LEADER | 00000nam a22000005i 4500 | ||
---|---|---|---|
001 | DEGRUYTERUP_9780822372615 | ||
003 | DE-B1597 | ||
005 | 20200928045905.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 200928t20182018ncu fo d z eng d | ||
010 | |a 2018015976 | ||
020 | |a 9780822372615 | ||
024 | 7 | |a 10.1515/9780822372615 |2 doi | |
035 | |a (DE-B1597)554487 | ||
035 | |a (OCoLC)1198930084 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a ncu |c US-NC | ||
050 | 1 | 0 | |a N6351.2.I53 |
050 | 4 | |a N6351 | |
072 | 7 | |a ART041000 |2 bisacsh | |
082 | 0 | 4 | |a 700/.4112 |
084 | |a LH 65820 |2 rvk |0 (DE-625)rvk/94562:13104 | ||
245 | 0 | 0 | |a Mapping Modernisms : |b Art, Indigeneity, Colonialism / |c Ruth B. Phillips, Elizabeth Harney. |
264 | 1 | |a Durham : |b Duke University Press, |c [2018] | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource (432 p.) : |b 117 illustrations, incl. 13 in color | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Objects/Histories | |
505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ILLUSTRATIONS -- |t GENERAL EDITORS' FOREWORD -- |t PREFACE -- |t INTRODUCTION: INSIDE MODERNITY -- |t ONE Reinventing Zulu Tradition -- |t TWO "Hooked Forever on Primitive Peoples" -- |t THREE Making Pictures on Baskets -- |t FOUR An Intersection -- |t FIVE Modernism on Display -- |t SIX "Artist of PNG" -- |t SEVEN Modernism and the Art of Albert Namatjira -- |t EIGHT Cape Dorset Cosmopolitans -- |t NINE Natural Synthesis -- |t TEN Being Modern, Becoming Native -- |t EVEN Falling into the World -- |t TWELVE Constellations and Coordinates -- |t THIRTEEN Conditions of Engagement -- |t FOURTEEN The Modernist Lens of Lutterodt Studios -- |t BIBLIOGRAPHY -- |t CONTRIBUTORS -- |t INDEX -- |t Plates |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world.Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) | |
650 | 0 | |a Indigenous art. | |
650 | 0 | |a Modernism (Art) | |
650 | 0 | |a Modernism (Art). | |
650 | 7 | |a ART / Native American. |2 bisacsh | |
700 | 1 | |a Harney, Elizabeth, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Phillips, Ruth B., |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DUK eBook-Package 2018 |z 9783110696332 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780822372615 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822372615 |z Texto completo |
912 | |a 978-3-11-069633-2 DUK eBook-Package 2018 |b 2018 | ||
912 | |a EBA_DUK_ALL | ||
912 | |a EBA_DUK_EALL | ||
912 | |a EBA_DUK_SSHALL | ||
912 | |a GBV-deGruyter-alles |