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Unconsolable Contemporary : Observing Gerhard Richter /
In Unconsolable Contemporary Paul Rabinow continues his explorations of "a philosophic anthropology of the contemporary." Defining the contemporary as a moving ratio in which the modern becomes historical, Rabinow shows how an anthropological ethos of the contemporary can be realized by dr...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2017]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Unconsolable Contemporary : |b Observing Gerhard Richter / |c Paul Rabinow. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (176 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t INTRODUCTION Form and Birkenau -- |t CHAPTER 1 Object: The Contemporary -- |t CHAPTER 2 Constellations: Writing and Imaging Strife -- |t CHAPTER 3 Assembling: Abet and Facilitate -- |t CHAPTER 4 Composition: Technē and Pathos -- |t CHAPTER 5 Contemporary Consolations: Unconsoled -- |t CHAPTER 6 Restive Endings -- |t Notes -- |t Bibliography |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Unconsolable Contemporary Paul Rabinow continues his explorations of "a philosophic anthropology of the contemporary." Defining the contemporary as a moving ratio in which the modern becomes historical, Rabinow shows how an anthropological ethos of the contemporary can be realized by drawing on the work of art historians, cultural critics, social theorists, and others, thereby inventing a methodology he calls anthropological assemblage. He focuses on the work and persona of German painter Gerhard Richter, demonstrating how reflecting on Richter's work provides rich insights into the practices and stylization of what, following Aby Warburg, one might call "the afterlife of the modern." Rabinow opens with analyses of Richter's recent Birkenau exhibit: both the artwork and its critical framing. He then chronicles Richter's experiments in image-making as well as his subtle inclusion of art historical and critical discourses about the modern. This, Rabinow contends, enables Richter to signal his awareness of the stakes of such theorizing while refusing the positioning of his work by modernist critical theorists. In this innovative work, Rabinow elucidates the ways meaning is created within the contemporary. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | |a Art and philosophy. | |
| 650 | 0 | |a Philosophical anthropology. | |
| 650 | 0 | |a Richter, Gerhard,-1932--Criticism and interpretation. | |
| 650 | 7 | |a SOCIAL SCIENCE / Anthropology / Cultural & Social. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Duke University Press Complete eBook-Package 2017 |z 9783110696349 |
| 776 | 0 | |c print |z 9780822369967 | |
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| 912 | |a 978-3-11-069634-9 Duke University Press Complete eBook-Package 2017 |b 2017 | ||
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