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Abject Performances : Aesthetic Strategies in Latino Cultural Production /
In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or ce...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2018]
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| Colección: | Dissident Acts : 14
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| Temas: | |
| Acceso en línea: | Texto completo |
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| 100 | 1 | |a Alvarado, Leticia, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Abject Performances : |b Aesthetic Strategies in Latino Cultural Production / |c Leticia Alvarado. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (232 p.) : |b 69 illustrations, including 10 in color | ||
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| 490 | 0 | |a Dissident Acts : 14 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t 1. Introduction. Sublime Abjection -- |t Chapter 1. Other Desires: Ana Mendieta's Abject Imaginings -- |t Chapter 2. Phantom Assholes: Asco's Affective Vortex -- |t Chapter 3. Of Betties Decorous and Abject: Ugly Betty's America la fea and Nao Bustamante's America la bella -- |t Chapter 4. Arriving at Apostasy: Performative Testimonies of Ambivalent Belonging -- |t Conclusion. Abject Embodiment -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects-shame, disgust, and unbelonging-to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | |a Hispanic American arts |x Social aspects. | |
| 650 | 0 | |a Hispanic American mass media |x Social aspects. | |
| 650 | 0 | |a Hispanic Americans and mass media. | |
| 650 | 0 | |a Mass media and culture. | |
| 650 | 7 | |a ART / Criticism. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Duke University Press Complete eBook-Package 2018 |z 9783110696332 |
| 776 | 0 | |c print |z 9780822370635 | |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780822371939 |z Texto completo |
| 912 | |a 978-3-11-069633-2 Duke University Press Complete eBook-Package 2018 |b 2018 | ||
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