The Broadside Ballad in Early Modern England : Moving Media, Tactical Publics /

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In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive-individual elements migrated freely from one broadside to another-some 11...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fumerton, Patricia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, [2021]
Colección:Material Texts
Temas:
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
Cultural Studies.
Film Studies.
Library Science and Publishing.
Literature.
Media Studies.
Medieval and Renaissance Studies.
Music.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Note on Audio Tracks and Citation Conventions
  • Introduction
  • Chapter 1. The Critical and Theoretical Parts: Moving, Assemblage, Publics, and Tactics
  • PART I. ASSEMBLING BY DISASSEMBLING: ARCHIVES, DATABASES, AND BALLAD BITS
  • Chapter 2. Accessing the Artifact, Now and Then
  • Chapter 3. Random Tactical Hits
  • PART II. REMEMBERING BY DISMEMBERING: BLACK LETTER, CALLIGRAPHY, AND PRINT HISTORY
  • Chapter 4. The Network of Black-Letter Broadside Ballad Collectors
  • Chapter 5. The Passing Present of Black Letter and Calligraphy
  • PART III. FROM NETWORKS TO PUBLICS: SAMUEL PEPYS
  • Chapter 6. Pepys and the Making of Gendered Publics
  • Chapter 7. Pepys and the Making of Political Publics
  • PART IV. DIACHRONIC AND SYNCHRONIC BALLAD PUBLICS: CROSSING SOCIETY, HISTORY, AND SPACE
  • Chapter 8. The Moving Violations of "The Lady and the Blackamoor"
  • Conclusion: The Limits of the Shakespearean Stage: Ballading The Winter's Tale
  • Notes
  • Bibliography
  • Sources for Music Notations
  • Index
  • Acknowledgments

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