The Monster in the Garden : The Grotesque and the Gigantic in Renaissance Landscape Design /
Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.In The Monster in the Garden, Luke Mor...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Philadelphia :
University of Pennsylvania Press,
[2015]
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Colección: | Penn Studies in Landscape Architecture
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Morgan, Luke, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Monster in the Garden : |b The Grotesque and the Gigantic in Renaissance Landscape Design / |c Luke Morgan. |
264 | 1 | |a Philadelphia : |b University of Pennsylvania Press, |c [2015] | |
264 | 4 | |c ©2016 | |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction. Reframing the Renaissance Garden -- |t Chapter 1. The Legibility of Landscape: From Fascism to Foucault -- |t Chapter 2. The Grotesque and the Monstrous -- |t Chapter 3. A Monstruary: The Excessive, the Deficient, and the Hybrid -- |t Chapter 4. "Rare and Enormous Bones of Huge Animals": The Colossal Mode -- |t Chapter 5. "Pietra Morta, in Pietra Viva": The Sacro Bosco -- |t Conclusion: Toward the Sublime -- |t Notes -- |t Bibliography -- |t Index -- |t Acknowledgments |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
650 | 7 | |a ARCHITECTURE / Landscape. |2 bisacsh | |
653 | |a Architecture. | ||
653 | |a Fine Art. | ||
653 | |a Garden History. | ||
653 | |a Medieval and Renaissance Studies. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts, Architecture and Design 2015 |z 9783110438642 |o ZDB-23-DKA |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2015 |z 9783110439687 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Pennsylvania Press Complete eBook-Package 2016 |z 9783110665918 |
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