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The Performance of Self : Ritual, Clothing, and Identity During the Hundred Years War /

Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast t...

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Detalles Bibliográficos
Autor principal: Crane, Susan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, [2012]
Colección:The Middle Ages Series
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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245 1 4 |a The Performance of Self :  |b Ritual, Clothing, and Identity During the Hundred Years War /  |c Susan Crane. 
264 1 |a Philadelphia :   |b University of Pennsylvania Press,   |c [2012] 
264 4 |c ©2002 
300 |a 1 online resource (284 p.) :  |b 4 color, 11 b/w illus. 
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490 0 |a The Middle Ages Series 
505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t A Note on Citations --   |t Introduction --   |t 1. Talking Garments --   |t 2. Maytime in Late Medieval Courts --   |t 3. Joan of Arc and Women's Cross-Dress --   |t 4. Chivalric Display and Incognito --   |t 5. Wild Doubles in Charivari and Interlude --   |t Conclusion --   |t Notes --   |t Bibliography --   |t Index --   |t Acknowledgments 
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520 |a Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period.Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) 
650 0 |a Costume  |x Medieval. 
650 0 |a Costume  |z France  |x History  |x Medieval  |d 500-1500. 
650 0 |a Costume  |z Great Britain  |x History  |x Medieval  |d 500-1500. 
650 0 |a Hundred Years' War  |d 339-1453  |x Social aspects  |z France. 
650 0 |a Hundred Years' War  |d 339-1453  |x Social aspects  |z Great Britain. 
650 0 |a Hundred Years' War, 1339-1453  |x Social aspects  |z France. 
650 0 |a Hundred Years' War, 1339-1453  |x Social aspects  |z Great Britain. 
650 0 |a Identity (Psychology)  |z France  |x History  |x To 1500. 
650 0 |a Identity (Psychology)  |z Great Britain  |x History  |x To 1500. 
650 0 |a Identity (Psychology)  |z Great Britain  |x History  |y To 1500. 
650 0 |a Ritual  |z France  |x History  |x To 1500. 
650 0 |a Ritual  |z Great Britain  |x History  |x To 1500. 
650 0 |a Ritual  |z Great Britain  |x History  |y To 1500. 
650 4 |a Literature. 
650 7 |a LITERARY CRITICISM / Medieval.  |2 bisacsh 
653 |a Cultural Studies. 
653 |a Literature. 
653 |a Medieval and Renaissance Studies. 
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