The Studios after the Studios : Neoclassical Hollywood (1970-2010) /
Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Stanford, CA :
Stanford University Press,
[2020]
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Colección: | Post*45
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Connor, J. D., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Studios after the Studios : |b Neoclassical Hollywood (1970-2010) / |c J. D. Connor. |
264 | 1 | |a Stanford, CA : |b Stanford University Press, |c [2020] | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource (376 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
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347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Post*45 | |
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgments -- |t Introduction -- |t 1. Logorrhea, or, How to Watch a Hollywood Movie -- |t Introduction -- |t 2. The Literal and the Littoral: Jaws -- |t 3. Paramount I: From the Directors Company to High Concept -- |t 4. Our Man in Armani: The Ovitz Interregnum -- |t Introduction -- |t 5. Paramount II: The Residue of Design -- |t 6. Let's Make the Weather: Chaos Comes to Hollywood -- |t Introduction -- |t 7. That Oceanic Feeling: One Merger Too Many -- |t 8. The Anxious Epic and the Qualms of Empire: Conglomerate Overstretch -- |t Conclusion -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies - their stories and styles - were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work-how studios think-we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) | |
650 | 0 | |a Motion picture industry |z California |z Los Angeles |x History. | |
650 | 0 | |a Motion picture studios |z California |z Los Angeles |x History. | |
650 | 0 | |a Motion pictures |z California |z Los Angeles |x History. | |
650 | 4 | |a Hollywood. | |
650 | 4 | |a Jaws (film). | |
650 | 4 | |a Paramount. | |
650 | 4 | |a high concept. | |
650 | 4 | |a media conglomerates. | |
650 | 4 | |a studios. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t SUP Complete eBook-Package 2014-2015 |z 9783110703986 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780804794749 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780804794749 |z Texto completo |
912 | |a 978-3-11-070398-6 SUP Complete eBook-Package 2014-2015 |c 2014 |d 2015 | ||
912 | |a GBV-deGruyter-alles |