After ‹I›La Dolce Vita‹/I› : A Cultural Prehistory of Berlusconi's Italy /
This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instea...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Stanford, CA :
Stanford University Press,
[2020]
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Colección: | Cultural Memory in the Present
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Ricciardi, Alessia, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a After ‹I›La Dolce Vita‹/I› : |b A Cultural Prehistory of Berlusconi's Italy / |c Alessia Ricciardi. |
264 | 1 | |a Stanford, CA : |b Stanford University Press, |c [2020] | |
264 | 4 | |c ©2012 | |
300 | |a 1 online resource (328 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Cultural Memory in the Present | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t 1. Sweetness -- |t 2. Lightness -- |t 3. Weakness -- |t 4. Softness -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) | |
650 | 0 | |a Politics and culture |z Italy |x History |y 20th century. | |
650 | 7 | |a LITERARY CRITICISM / European / Italian. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t SUP Backlist eBook-Package 2000-2013 |z 9783110704204 |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780804782586 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780804782586 |z Texto completo |
912 | |a 978-3-11-070420-4 SUP Backlist eBook-Package 2000-2013 |c 2000 |d 2013 | ||
912 | |a GBV-deGruyter-alles |