Nobody's Business : Twenty-First Century Avant-Garde Poetics /
Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Ithaca, NY :
Cornell University Press,
[2013]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Reed, Brian M., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Nobody's Business : |b Twenty-First Century Avant-Garde Poetics / |c Brian M. Reed. |
264 | 1 | |a Ithaca, NY : |b Cornell University Press, |c [2013] | |
264 | 4 | |c ©2013 | |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface: What Now? -- |t 1. In Praise of Obsolescence -- |t 2. New Consensus Poetics and the Avant-Garde -- |t 3. Mechanical Form and Avant-Garde Aesthetics -- |t 4. Flarf, Folly, and George W. Bush -- |t 5. Andrea Brady's Peculiar Dissidence -- |t 6. Danny Snelson's Disco Operating System -- |t Acknowledgments -- |t Notes -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a American poetry |x History and criticism |x 21st century. | |
650 | 0 | |a American poetry |y 21st century |x History and criticism. | |
650 | 0 | |a Experimental poetry, American |x History and criticism. | |
650 | 0 | |a Poetics |x History |x 21st century. | |
650 | 0 | |a Poetics |x History |y 21st century. | |
650 | 4 | |a American Studies. | |
650 | 4 | |a Literary Studies. | |
650 | 4 | |a Poetry & Criticism. | |
650 | 7 | |a LITERARY CRITICISM / Poetry. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Cornell University Press Backlist 2000-2013 |z 9783110536157 |
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