Omnibus Films : Theorizing Transauthorial Cinema /
The first book-length exploration of internationally distributed, multi-director episode films Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their imp...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Edinburgh :
Edinburgh University Press,
[2022]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Diffrient, David Scott, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Omnibus Films : |b Theorizing Transauthorial Cinema / |c David Scott Diffrient. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
264 | 4 | |c ©2014 | |
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Figures -- |t Acknowledgments -- |t Part I. Historical and Theoretical Perspectives -- |t Part II. Get on the Omnibus: Case Studies in Transauthorial Cinema -- |t Notes -- |t Filmography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The first book-length exploration of internationally distributed, multi-director episode films Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory?As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient's Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio '70 , (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t'aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do.Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Auteur theory (Motion pictures). | |
650 | 4 | |a Film, Media & Cultural Studies. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Complete eBook-Package 2014-2015 |z 9783110780451 |
776 | 0 | |c print |z 9780748695652 | |
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