Roman Eyes : Visuality and Subjectivity in Art and Text /
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton, NJ :
Princeton University Press,
[2021]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Elsner, Jaś, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Roman Eyes : |b Visuality and Subjectivity in Art and Text / |c Jaś Elsner. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2021] | |
264 | 4 | |c ©2007 | |
300 | |a 1 online resource (376 p.) : |b 16 color plates. 88 halftones. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Acknowledgments -- |t Prologue -- |t 1 Between Mimesis and Divine Power Visuality in the Greco-Roman World -- |t Part 1 Ancient Discourses of Art -- |t 2. Image and Ritual Pausanias and the Sacred Culture of Greek Art -- |t 3. Discourses of Style Connoisseurship in Pausanias and Lucian -- |t 4. Ekphrasis and the Gaze From Roman Poetry to Domestic Wall Painting -- |t Part 2 Ways of Viewing -- |t 5. Viewing and Creativity Ovid's Pygmalion as Viewer -- |t 6. Viewer as Image Intimations of Narcissus -- |t 7. Viewing and Decadence Petronius' Picture Gallery -- |t 8. Genders of Viewing Visualizing Woman in the Casket of Projecta -- |t 9. Viewing the Gods The Origins of the Icon in the Visual Culture of the Roman East -- |t 10. Viewing and Resistance Art and Religion in Dura Europos -- |t Epilogue From Diana via Venus to Isis Viewing the Deity with Apuleius -- |t Bibliography -- |t Index Locorum -- |t General Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and terra-cotta statuettes. He examines the different contexts in which images were used, from the religious to the voyeuristic, from the domestic to the subversive. He reads images alongside and against the rich literary tradition of the Greco-Roman world, including travel writing, prose fiction, satire, poetry, mythology, and pilgrimage accounts. The astonishing picture that emerges reveals the mindsets Romans had when they viewed art--their preoccupations and theories, their cultural biases and loosely held beliefs. Roman Eyes is not a history of official public art--the monumental sculptures, arches, and buildings we typically associate with ancient Rome, and that tend to dominate the field. Rather, Elsner looks at smaller objects used or displayed in private settings and closed religious rituals, including tapestries, ivories, altars, jewelry, and even silverware. In many cases, he focuses on works of art that no longer exist, providing a rare window into the aesthetic and religious lives of the ancient Romans. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
650 | 0 | |a Aesthetics, Roman. | |
650 | 0 | |a Arts, Classical. | |
650 | 0 | |a Visual perception. | |
650 | 7 | |a ART / History / Ancient & Classical. |2 bisacsh | |
653 | |a Adoration. | ||
653 | |a Aelius Aristides. | ||
653 | |a Aeschylus. | ||
653 | |a Agalmatophilia. | ||
653 | |a Anchises. | ||
653 | |a Ancient Greek art. | ||
653 | |a Ancient Rome. | ||
653 | |a Anecdote. | ||
653 | |a Anthropomorphism. | ||
653 | |a Apuleius. | ||
653 | |a Art history. | ||
653 | |a Atargatis. | ||
653 | |a Bathing. | ||
653 | |a Bibliography. | ||
653 | |a Capitoline Museums. | ||
653 | |a Castration. | ||
653 | |a Christian apologetics. | ||
653 | |a Conflation. | ||
653 | |a Cooling. | ||
653 | |a Cult image. | ||
653 | |a Cupid and Psyche. | ||
653 | |a De Dea Syria. | ||
653 | |a Deity. | ||
653 | |a Diana and Actaeon. | ||
653 | |a Drapery. | ||
653 | |a Ekphrasis. | ||
653 | |a Epigram. | ||
653 | |a Epithet. | ||
653 | |a Eroticism. | ||
653 | |a Genre. | ||
653 | |a Greco-Roman world. | ||
653 | |a H II region. | ||
653 | |a Hagiography. | ||
653 | |a Hare Krishna (mantra). | ||
653 | |a Harpocrates. | ||
653 | |a Hellenization. | ||
653 | |a Hierapolis. | ||
653 | |a Hieros gamos. | ||
653 | |a Hydrogen line. | ||
653 | |a Iconography. | ||
653 | |a Illustration. | ||
653 | |a In the Water. | ||
653 | |a Indulgence. | ||
653 | |a Initiation. | ||
653 | |a Ionic Greek. | ||
653 | |a Ionization. | ||
653 | |a Late Antiquity. | ||
653 | |a Leucippe and Clitophon. | ||
653 | |a Libation. | ||
653 | |a Mimesis. | ||
653 | |a Narrative logic. | ||
653 | |a Narrative. | ||
653 | |a Neo-Attic. | ||
653 | |a Number density. | ||
653 | |a Oculus. | ||
653 | |a Our Choice. | ||
653 | |a Parody. | ||
653 | |a Philostratus. | ||
653 | |a Photon. | ||
653 | |a Piety. | ||
653 | |a Poetry. | ||
653 | |a Polytheism. | ||
653 | |a Posture (psychology). | ||
653 | |a Praxiteles. | ||
653 | |a Procession. | ||
653 | |a Pubic hair. | ||
653 | |a Putto. | ||
653 | |a Queen of Heaven. | ||
653 | |a Reionization. | ||
653 | |a Religion and sexuality. | ||
653 | |a Religious image. | ||
653 | |a Rite. | ||
653 | |a Roman art. | ||
653 | |a Satire. | ||
653 | |a Sculpture. | ||
653 | |a Second Sophistic. | ||
653 | |a Self-consciousness. | ||
653 | |a Sensibility. | ||
653 | |a Serapis. | ||
653 | |a Sexual intercourse. | ||
653 | |a Sincerity. | ||
653 | |a Social reality. | ||
653 | |a Sophist (dialogue). | ||
653 | |a Sophistication. | ||
653 | |a Star formation. | ||
653 | |a Subjectivity. | ||
653 | |a Temperature. | ||
653 | |a The Golden Ass. | ||
653 | |a The Last Sentence. | ||
653 | |a The Sea Monster. | ||
653 | |a Theatricality. | ||
653 | |a Venus Anadyomene. | ||
653 | |a Verisimilitude (fiction). | ||
653 | |a Verisimilitude. | ||
653 | |a Viewing (funeral). | ||
653 | |a Voluptas. | ||
653 | |a Voyeurism. | ||
653 | |a Vulva. | ||
653 | |a Writing. | ||
653 | |a Zeuxis. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Backlist 2000-2013 |z 9783110442502 |
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856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780691240244 |z Texto completo |
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