Inessential Colors : Architecture on Paper in Early Modern Europe /
The first comprehensive account of how and why architects learned to communicate through colorArchitectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basil...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton, NJ :
Princeton University Press,
[2021]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Baudez, Basile, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Inessential Colors : |b Architecture on Paper in Early Modern Europe / |c Basile Baudez. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2021] | |
264 | 4 | |c ©2021 | |
300 | |a 1 online resource (288 p.) : |b 176 color illus. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t Prologue. Architectures in Black and White -- |t Chapter One. Imitative Colors -- |t Chapter Two. Conventional Colors -- |t Chapter Three. Affective Colors -- |t Conclusion. The Anxiety of the Architect -- |t Appendix. The Draftsman's Tools -- |t Acknowledgments -- |t Notes -- |t Bibliography -- |t Index -- |t Image Credits |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The first comprehensive account of how and why architects learned to communicate through colorArchitectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public.Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice.Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
650 | 0 | |a Architectural drawing |z Europe |x History. | |
650 | 0 | |a Color in art. | |
650 | 7 | |a ARCHITECTURE / History / Renaissance. |2 bisacsh | |
653 | |a Accademia di San Luca. | ||
653 | |a Agostino Veneziano. | ||
653 | |a Amiens. | ||
653 | |a Andrea Palladio. | ||
653 | |a Arbitrariness. | ||
653 | |a Architectural Design. | ||
653 | |a Architectural drawing. | ||
653 | |a Architectural historian. | ||
653 | |a Architectural painting. | ||
653 | |a Architectural style. | ||
653 | |a Architectural theory. | ||
653 | |a Archive. | ||
653 | |a Avery Architectural and Fine Arts Library. | ||
653 | |a Boarding school. | ||
653 | |a Canaletto. | ||
653 | |a Carlo Maderno. | ||
653 | |a Cartography. | ||
653 | |a Checker shadow illusion. | ||
653 | |a Civil engineer. | ||
653 | |a Color engraving. | ||
653 | |a Color of water. | ||
653 | |a Color wash. | ||
653 | |a Country of origin. | ||
653 | |a Croome Court. | ||
653 | |a Ditchley. | ||
653 | |a Drafter. | ||
653 | |a Drawing. | ||
653 | |a Ealing. | ||
653 | |a Earned income tax credit. | ||
653 | |a Engraving. | ||
653 | |a Explanation. | ||
653 | |a Facsimile. | ||
653 | |a Francesco Algarotti. | ||
653 | |a Francesco Borromini. | ||
653 | |a Francesco da Volterra. | ||
653 | |a Funding. | ||
653 | |a General Idea. | ||
653 | |a Geographer. | ||
653 | |a Gerard de Lairesse. | ||
653 | |a Giorgio Vasari. | ||
653 | |a Giotto. | ||
653 | |a Gouache. | ||
653 | |a Guideline. | ||
653 | |a Henry IV of France. | ||
653 | |a Hybrid image. | ||
653 | |a Immigration policy. | ||
653 | |a Infrastructure. | ||
653 | |a Inigo Jones. | ||
653 | |a Jacques-Germain Soufflot. | ||
653 | |a Jagodina. | ||
653 | |a James Wyatt. | ||
653 | |a Jean-Baptiste Le Prince. | ||
653 | |a La Chaise-Dieu. | ||
653 | |a Le Mans Cathedral. | ||
653 | |a Lighting. | ||
653 | |a Masonry. | ||
653 | |a National Gallery of Art. | ||
653 | |a National Policy. | ||
653 | |a Nicholas Hawksmoor. | ||
653 | |a North Africa. | ||
653 | |a Of Education. | ||
653 | |a Officer and Laughing Girl. | ||
653 | |a Orthographic projection. | ||
653 | |a Palace. | ||
653 | |a Parchment. | ||
653 | |a Paul Sandby. | ||
653 | |a Pierre Crozat. | ||
653 | |a Pilaster. | ||
653 | |a Pink and Blue (Renoir). | ||
653 | |a Populuxe. | ||
653 | |a Print culture. | ||
653 | |a Proportion (architecture). | ||
653 | |a Racialization. | ||
653 | |a Refugee. | ||
653 | |a Renaissance architecture. | ||
653 | |a Result. | ||
653 | |a Rood screen. | ||
653 | |a Rosin. | ||
653 | |a Royal Institute of British Architects. | ||
653 | |a Santa Maria Antiqua. | ||
653 | |a Social capital. | ||
653 | |a Sociology. | ||
653 | |a Spanish Army. | ||
653 | |a Stippling. | ||
653 | |a Strasbourg Cathedral. | ||
653 | |a Suburb. | ||
653 | |a Tempio Malatestiano. | ||
653 | |a Trajectory. | ||
653 | |a Trapping. | ||
653 | |a Treatise. | ||
653 | |a Triumphal arch. | ||
653 | |a Ugo da Carpi. | ||
653 | |a Vellum. | ||
653 | |a Welfare state. | ||
653 | |a William L. Clements Library. | ||
653 | |a Woodcut. | ||
653 | |a Woodworking. | ||
653 | |a Workplace. | ||
653 | |a Writing. | ||
653 | |a Yale Center for British Art. | ||
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