Bravura : Virtuosity and Ambition in Early Modern European Painting /
The first major history of the bravura movement in European paintingThe painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creat...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton, NJ :
Princeton University Press,
[2021]
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
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100 | 1 | |a Suthor, Nicola, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Bravura : |b Virtuosity and Ambition in Early Modern European Painting / |c Nicola Suthor. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2021] | |
264 | 4 | |c ©2021 | |
300 | |a 1 online resource (304 p.) : |b 89 color + 46 b/w illus. | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t BRAVURA -- |t Introduction -- |t 1 Celebrations of violence -- |t 2 The figural tour de force -- |t 3 The spatial tour de force -- |t 4 Bravura as painterly style -- |t 5 Communicating artifice -- |t 6 Economies of practice -- |t 7 Arte-factum: the feminizing bravura -- |t 8 Endangering the youth -- |t 9 The academic response -- |t 10 Reenactments and echoes -- |t Notes -- |t Bibliography -- |t Index -- |t Photo Credits |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The first major history of the bravura movement in European paintingThe painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter's distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura's richness and power.Suthor delves into how bravura's unique and groundbreaking methods-visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis-cause viewers to feel intensely the artist's touch. Examining bravura's etymological history, she traces the term's associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration.Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
650 | 0 | |a Painting |x Technique. | |
650 | 0 | |a Painting, Late Renaissance. | |
650 | 7 | |a ART / History / Renaissance. |2 bisacsh | |
653 | |a Ambitious Form. | ||
653 | |a Beheading of John the Baptist. | ||
653 | |a Bernard Weinberg. | ||
653 | |a Cavaliere Mattia Preti. | ||
653 | |a Francisco Goya. | ||
653 | |a Francois Boucher. | ||
653 | |a Giambattista Piazzetta. | ||
653 | |a Giovannie Battista Armenini. | ||
653 | |a Giuseppe Cesari. | ||
653 | |a Hercules and Omphale. | ||
653 | |a History of Literary Criticism in the Italian Renaissance. | ||
653 | |a Il Bravo. | ||
653 | |a Il far presto. | ||
653 | |a Jean-Honore Fragonard. | ||
653 | |a Jupiter, Neptune, and Plato. | ||
653 | |a Las Hilanderas. | ||
653 | |a Luca Giordano. | ||
653 | |a Malle Babbe. | ||
653 | |a Marco Boschini. | ||
653 | |a Martyrdom of Saint Agatha. | ||
653 | |a Michael Cole. | ||
653 | |a Michael Polanyi. | ||
653 | |a Philip Sohm. | ||
653 | |a Pietro Testa. | ||
653 | |a Pittoresco. | ||
653 | |a Portraits de Fantaisie. | ||
653 | |a Raphael. | ||
653 | |a Royal Academy of England. | ||
653 | |a Royal Academy of France. | ||
653 | |a Self-Portrait with a Friend. | ||
653 | |a The Fall of Phaeton. | ||
653 | |a The Massacre of the Innocents. | ||
653 | |a Titian. | ||
653 | |a Vaghezza. | ||
653 | |a Vasari. | ||
653 | |a bravare. | ||
653 | |a diligenza. | ||
653 | |a ferocita. | ||
653 | |a fierezza. | ||
653 | |a franchezza. | ||
653 | |a prestezza. | ||
653 | |a sprezzatura. | ||
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