Cargando…
Brought to Life by the Voice : Playback Singing and Cultural Politics in South India /
To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celeb...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, CA :
University of California Press,
[2021]
|
| Colección: | South Asia Across the Disciplines
|
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 001 | DEGRUYTERUP_9780520976399 | ||
| 003 | DE-B1597 | ||
| 005 | 20221201113901.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 221201t20212021cau fo d z eng d | ||
| 020 | |a 9780520976399 | ||
| 024 | 7 | |a 10.1515/9780520976399 |2 doi | |
| 035 | |a (DE-B1597)579363 | ||
| 035 | |a (OCoLC)1204266599 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a cau |c US-CA | ||
| 050 | 4 | |a ML2075 |b .W45 2021 | |
| 072 | 7 | |a SOC002010 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.5/4209548 |2 23 |
| 100 | 1 | |a Weidman, Amanda, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Brought to Life by the Voice : |b Playback Singing and Cultural Politics in South India / |c Amanda Weidman. |
| 264 | 1 | |a Berkeley, CA : |b University of California Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (250 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a South Asia Across the Disciplines | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t Note on Transliteration and Spelling -- |t Introduction: Theorizing Playback -- |t Part I. Prehistories -- |t 1. Trading Voices: The Gendered Beginnings of Playback -- |t Part II. Playback's Dispensation -- |t 2. "A Leader for All Song": Making a Dravidian Voice -- |t 3. Ambiguities of Animation: On Being "Just the Voice" -- |t 4. The Sacred and the Profane: Economies of the (Il)licit -- |t Part III. Afterlives -- |t 5. The Raw and the Husky: On Timbral Qualia and Ethnolinguistic Belonging -- |t 6. Anxieties of Embodiment: Liveness and Deadness in the New Dispensation -- |t 7. Antiplayback -- |t Notes -- |t References -- |t Index |
| 506 | 0 | |a Open Access |u https://purl.org/coar/access_right/c_abf2 |f unrestricted online access |2 star | |
| 520 | |a To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 540 | |a This eBook is made available Open Access under a CC BY-ND 4.0 license: |u https://creativecommons.org/licenses/by-nd/4.0 |u https://degruyter.uam.elogim.com/dg/page/open-access-policy | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Motion picture music |z India, South |x History and criticism. | |
| 650 | 0 | |a Musical films |x Social aspects |z India, South. | |
| 650 | 0 | |a Musical films |z India, South |x History and criticism. | |
| 650 | 0 | |a Singing in motion pictures. | |
| 650 | 7 | |a SOCIAL SCIENCE / Anthropology / Cultural & Social. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2021 English |z 9783110754001 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2021 |z 9783110753776 |o ZDB-23-DGG |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Sociology 2021 English |z 9783110754186 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Sociology 2021 |z 9783110753967 |o ZDB-23-DSL |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of California Press Complete eBook-Package 2021 |z 9783110739152 |
| 776 | 0 | |c print |z 9780520377066 | |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1515/9780520976399 |7 0 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780520976399 |7 0 |z Texto completo |
| 912 | |a 978-3-11-073915-2 University of California Press Complete eBook-Package 2021 |b 2021 | ||
| 912 | |a 978-3-11-075400-1 EBOOK PACKAGE COMPLETE 2021 English |b 2021 | ||
| 912 | |a 978-3-11-075418-6 EBOOK PACKAGE Sociology 2021 English |b 2021 | ||
| 912 | |a GBV-deGruyter-alles | ||
| 912 | |a ZDB-23-DGG |b 2021 | ||
| 912 | |a ZDB-23-DSL |b 2021 | ||
| 912 | |a ZDB-23-GOA | ||
| 912 | |a ZDB-23-UCY | ||