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God Rock, Inc. : The Business of Niche Music /
Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, CA :
University of California Press,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Mall, Andrew, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a God Rock, Inc. : |b The Business of Niche Music / |c Andrew Mall. |
| 264 | 1 | |a Berkeley, CA : |b University of California Press, |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (322 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgments -- |t Playlists -- |t Introduction: Popular Music, Markets, Margins, and the Curious Case of Christian Music -- |t PART ONE. CHRISTIAN MUSIC: AN INDUSTRY AND ITS HISTORY -- |t 1 "Why Should the Devil Have All the Good Music?" -- |t 2 The Great Adventure -- |t 3 A Wolf in Sheep's Clothing? -- |t 4 "Find a Way" -- |t PART TWO. NICHE MUSIC MARKETS: ETHICS, PROFITS, AND RISK -- |t 5 Music to Raise the Dead -- |t 6 Lost in the Sound of Separation -- |t 7 From Margins to Mainstreams and Back -- |t Conclusion: The Stability of Risk and the Risk of Stability -- |t Appendix 1. Discographies -- |t Appendix 2. Pop Singles with Christian References (1957-70) -- |t Appendix 3. Major Christian Record Labels and Subsidiaries -- |t Appendix 4. Successful 1990s-Era Pop Singers' Albums -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) | |
| 650 | 0 | |a Contemporary Christian music |z United States |x History and criticism. | |
| 650 | 0 | |a Contemporary Christian music |z United States |x Marketing. | |
| 650 | 0 | |a Market segmentation |z United States. | |
| 650 | 0 | |a Rock music |x Religious aspects |x Christianity. | |
| 650 | 0 | |a Sound recording industry |z United States |x History. | |
| 650 | 7 | |a MUSIC / Religious / Contemporary Christian. |2 bisacsh | |
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t UC Press Frontlist eBook-Package 2020 |z 9783110690415 |
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