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|a Fuller-Seeley, Kathryn H.,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Jack Benny and the Golden Age of American Radio Comedy /
|c Kathryn H. Fuller-Seeley.
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|a Berkeley, CA :
|b University of California Press,
|c [2017]
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|c ©2017
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|a 1 online resource (392 p.)
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t List of Illustrations --
|t Acknowledgments --
|t Introduction --
|t 1. Becoming Benny: The Development of Jack Benny's Character-Focused Comedy for Radio --
|t 2. "What Are You Laughing at, Mary?" Mary Livingstone's Comic Voice --
|t 3. Masculine Gender Identity in Jack Benny's Humor --
|t 4. Eddie Anderson, Rochester, and Race in 1930s Radio and Film --
|t 5. Rochester and the Revenge of Uncle Tom in the 1940s and 1950s --
|t 6. The Commercial Imperative: Jack Benny, Advertising, and Radio Sponsors --
|t 7. Jack Benny's Intermedia Juggling of Radio and Film --
|t 8. Benny at War with the Radio Critics --
|t 9. Jack Benny's Turn Towards Television --
|t Conclusion --
|t Notes --
|t Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a The king of radio comedy from the Great Depression through the early 1950s, Jack Benny was one of the most influential entertainers in twentieth-century America. A master of comic timing and an innovative producer, Benny, with his radio writers, developed a weekly situation comedy to meet radio's endless need for new material, at the same time integrating advertising into the show's humor. Through the character of the vain, cheap everyman, Benny created a fall guy, whose frustrated struggles with his employees addressed midcentury America's concerns with race, gender, commercialism, and sexual identity. Kathryn H. Fuller-Seeley contextualizes her analysis of Jack Benny and his entourage with thoughtful insight into the intersections of competing entertainment industries and provides plenty of evidence that transmedia stardom, branded entertainment, and virality are not new phenomena but current iterations of key aspects in American commercial cultural history.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
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|a Radio comedies
|z United States
|x History and criticism.
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|a BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts.
|2 bisacsh
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|a american historian.
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|a celebrity history.
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|a contextualization.
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|a cultural appreciation.
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|a dj.
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|a entertainers in the 20th century.
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|a everyman.
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|a fall guy.
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|a great depression.
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|a humor.
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|a influential entertainers.
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|a king of comedy.
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|a radio comedy.
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|a radio historian.
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|a radio history.
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|a relatable character.
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|i Title is part of eBook package:
|d De Gruyter
|t University of California Press Complete eBook-Package 2017
|z 9783110667554
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|c print
|z 9780520295049
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|u https://degruyter.uam.elogim.com/isbn/9780520967946
|z Texto completo
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|a 978-3-11-066755-4 University of California Press Complete eBook-Package 2017
|b 2017
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|a EBA_UCA_YUP
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|a GBV-deGruyter-alles
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|a ZDB-23-UCY
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