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Treatise on Musical Objects : An Essay across Disciplines /
The Treatise on Musical Objects is regarded as Pierre Schaeffer's most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, CA :
University of California Press,
[2017]
|
| Colección: | California Studies in 20th-Century Music ;
20 |
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Schaeffer, Pierre, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Treatise on Musical Objects : |b An Essay across Disciplines / |c Pierre Schaeffer. |
| 264 | 1 | |a Berkeley, CA : |b University of California Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (624 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a California Studies in 20th-Century Music ; |v 20 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t The Treatise on Musical Objects and the GRM -- |t Translators' Introduction -- |t Pierre Schaeffer's Treatise on Musical Objects and Music Theory -- |t Acknowledgments -- |t Preface -- |t Introductory Remarks: The Historical Situation of Music -- |t Book One: Making Music -- |t 1. The Instrumental Prerequisite -- |t 2. Playing an Instrument -- |t 3. Capturing Sounds -- |t 4. Acousmatics -- |t Book Two: Hearing -- |t 5. "What Can Be Heard" -- |t 6. The Four Listening Modes -- |t 7. Scientific Prejudice -- |t 8. The Hearing Intention -- |t Book Three: Correlations between the Physical Signal and the Musical Object -- |t 9. Ambiguities in Musical Acoustics -- |t 10. Correlation between Spectra and Pitches -- |t 11. Thresholds and Transients -- |t 12. Temporal Anamorphoses I: Timbres and Dynamics -- |t 13. Temporal Anamorphoses II: Timbre and Instrument -- |t 14. Time and Duration -- |t Book Four: Objects and Structures -- |t 15. Reduction to the Object -- |t 16. Perceptual Structures -- |t 17. Comparative Structures: Music and Language -- |t 18. The Conventional Musical System: Musicality and Sonority -- |t 19. Natural Sound Structures: Musicianly Listening -- |t 20. The Reduced Listening System: Musical Dualism -- |t 21. Musical Research -- |t Book Five: Morphology and Typology of Sound Objects -- |t 22. Morphology of Sound Objects -- |t 23. The Laboratory -- |t 24. Typology of Musical Objects (I): Classification Criteria -- |t 25. Typology of Musical Objects (II): Balanced and Redundant Objects -- |t 26. Typology of Musical Objects (III): Eccentric Sounds -- |t 27. Working at Our Instrument -- |t Book Six: Theory of Musical Objects -- |t 28. Musical Experience -- |t 29. Generalizing Music Theory -- |t 30. Theory of Homogeneous Sounds: Criterion of Mass -- |t 31. Theory of Fixed Masses: Dynamic Criterion -- |t 32. Theory of Sustainment -- |t 33. Theory of Variations -- |t 34. Analysis of the Musical Object as It Generally Appears -- |t Book Seven: Music as a Discipline -- |t 35. Implementation -- |t 36. The Meaning of Music -- |t Penultimate Chapter: In Search of Music Itself -- |t Postscript -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The Treatise on Musical Objects is regarded as Pierre Schaeffer's most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer's essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 7 | |a MUSIC / Individual Composer & Musician. |2 bisacsh | |
| 653 | |a acoustics. | ||
| 653 | |a college student. | ||
| 653 | |a electroacoustic music. | ||
| 653 | |a european music. | ||
| 653 | |a music appreciation. | ||
| 653 | |a music studies. | ||
| 653 | |a music theorist. | ||
| 653 | |a musical scholar. | ||
| 653 | |a musicians. | ||
| 653 | |a philosophy. | ||
| 653 | |a physics. | ||
| 653 | |a physiology. | ||
| 653 | |a relationship between subject and object. | ||
| 653 | |a studying music. | ||
| 700 | 1 | |a Dack, John, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a North, Christine, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Teruggi, Daniel, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of California Press Complete eBook-Package 2017 |z 9783110667554 |
| 776 | 0 | |c print |z 9780520294301 | |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1525/9780520967465 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780520967465 |z Texto completo |
| 912 | |a 978-3-11-066755-4 University of California Press Complete eBook-Package 2017 |b 2017 | ||
| 912 | |a EBA_UCA_YUP | ||
| 912 | |a GBV-deGruyter-alles | ||