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|a 070.180 973
|2 23
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|a Glick, Joshua,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Los Angeles Documentary and the Production of Public History, 1958-1977 /
|c Joshua Glick.
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|a Berkeley, CA :
|b University of California Press,
|c [2018]
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|c ©2018
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|a 1 online resource (254 p.)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t List of Illustrations --
|t Acknowledgments --
|t Introduction --
|t Part one. New Frontier Visions in the Light and Shadow of Hollywood, 1958-1964 --
|t 1. Studio Documentary in the Kennedy Era: Wolper Productions Begins --
|t 2. Downtown Development and the Endeavors of Filmmaker Kent Mackenzie --
|t Part two. Aft er the Watts Uprising --
|t 3. The Rise of Minority Storytelling: Network News, Public Television, and Independent Collectives --
|t 4. Hard Lessons in Hollywood Civics: Managing the Crisis of the Liberal Consensus --
|t 5. Wattstax and the Transmedia Soul Economy --
|t Part three. Bicentennial Screens, 1974-1977 --
|t 6. Roots/Routes of American Identity --
|t 7. Numbering Our Days in Los Angeles, USA --
|t Notes --
|t Selected Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a Los Angeles Documentary and the Production of Public History, 1958-1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation.
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|a Mode of access: Internet via World Wide Web.
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
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|a Documentary films
|z United States
|x History and criticism.
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|a Motion pictures
|x Political aspects
|z United States.
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|a PERFORMING ARTS / Film / Genres / Documentary.
|2 bisacsh
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|a 1950s.
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|a 1960s.
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|a 1970s.
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|a activists.
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|a american history.
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|a bicentennial.
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|a cold war.
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|a cultural liberalism.
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|a david wolper.
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|a documentarians.
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|a documentary film.
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|a documentary.
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|a hollywood.
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|a jesus salvador trevino.
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|a john f kennedy.
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|a journalism.
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|a journalist.
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|a kent mackenzie.
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|a los angeles.
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|a lynne littman.
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|a mel stuart.
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|a primary source.
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|a public history.
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|a race.
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|a racism.
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|a segregation.
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|a social consciousness.
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|a social justice.
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|i Title is part of eBook package:
|d De Gruyter
|t University of California Press Complete eBook-Package 2018
|z 9783110667677
|
773 |
0 |
8 |
|i Title is part of eBook package:
|d De Gruyter
|t Urban Studies and Social Rights eBook Package PP 2016-2019
|z 9783110638516
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776 |
0 |
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|c print
|z 9780520293700
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856 |
4 |
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|u https://degruyter.uam.elogim.com/isbn/9780520966918
|z Texto completo
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912 |
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|a 978-3-11-063851-6 Urban Studies and Social Rights eBook Package PP 2016-2019
|c 2016
|d 2019
|
912 |
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|a 978-3-11-066767-7 University of California Press Complete eBook-Package 2018
|b 2018
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912 |
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|a EBA_UCA_YUP
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912 |
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|a GBV-deGruyter-alles
|
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|a ZDB-23-UCY
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