Pixar and the Aesthetic Imagination : Animation, Storytelling, and Digital Culture /

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In Pixar and the Aesthetic Imagination, Eric Herhuth draws upon film theory, animation theory, and philosophy to examine how animated films address aesthetic experience within contexts of technological, environmental, and sociocultural change. Since producing the first fully computer-animated featur...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Herhuth, Eric (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley, CA : University of California Press, [2017]
Temas:
Animated films > United States > Psychological aspects.
Motion pictures > Aesthetics.
PERFORMING ARTS / Animation (see also Film / Genres / Animated).
aesthetics.
animated feature.
animated film.
animated movies.
animated.
animation theory.
animation.
animator.
art.
artistic.
character development.
childrens movies.
computer animated.
consumer culture.
creativity.
culture.
digital culture.
digital.
environment.
film art.
film philosophy.
global media.
media studies.
performing arts.
philosophy.
pixar animation studios.
pixar.
pop culture.
popular culture.
sociocultural.
sociology.
storytelling.
technology.
toys.
world building.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Acknowledgments
  • Introduction
  • 1. Aesthetic Storytelling: A Tradition and Theory of Animated Film
  • 2. The Uncanny Integrity of Digital Commodities (Toy Story)
  • 3. From the Technological to the Postmodern Sublime (Monsters, Inc.)
  • 4. The Exceptional Dialectic of the Fantastic and the Mundane (The Incredibles)
  • 5. Disruptive Sensation and the Politics of the New (Ratatouille)
  • Conclusion
  • Notes
  • Bibliography
  • Index

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