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Making New Music in Cold War Poland : The Warsaw Autumn Festival, 1956-1968 /

Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festiva...

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Detalles Bibliográficos
Autor principal: Jakelski, Lisa (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley, CA : University of California Press, [2016]
Colección:California Studies in 20th-Century Music ; 19
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Making New Music in Cold War Poland :  |b The Warsaw Autumn Festival, 1956-1968 /  |c Lisa Jakelski. 
264 1 |a Berkeley, CA :   |b University of California Press,   |c [2016] 
264 4 |c ©2016 
300 |a 1 online resource (272 p.) 
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490 0 |a California Studies in 20th-Century Music ;  |v 19 
505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations and Tables --   |t Acknowledgments --   |t Abbreviations --   |t Introduction --   |t 1. The Sounds of Revolution? --   |t 2. Building an Empty Frame --   |t 3. A Raucous Education --   |t 4. From Warsaw to the World --   |t 5. Mobilizing Performers, Scores, and Avant-Gardes --   |t 6. The Limits of Exchange --   |t Epilogue --   |t Appendix 1: Concert Program of the Warsaw Autumn International Festival of Contemporary Music, 10-21 October 1956 --   |t Appendix 2: Biographical Notes --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festival's worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Music festivals  |z Poland  |z Warsaw. 
650 0 |a Music  |z Poland  |y 20th century  |x History and criticism. 
650 7 |a MUSIC / History & Criticism.  |2 bisacsh 
653 |a academic study. 
653 |a academic. 
653 |a cold war era. 
653 |a cold war history. 
653 |a cold war. 
653 |a composer. 
653 |a contemporary music. 
653 |a cross border. 
653 |a discrimination. 
653 |a europe. 
653 |a european history. 
653 |a history. 
653 |a institutional. 
653 |a international. 
653 |a music festival. 
653 |a musical composition. 
653 |a musician. 
653 |a new music. 
653 |a performer. 
653 |a poland. 
653 |a polish music. 
653 |a scholarly. 
653 |a social history. 
653 |a tourism. 
653 |a tourist. 
653 |a warsaw. 
653 |a world history. 
653 |a world music. 
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776 0 |c print  |z 9780520292543 
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