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Instruments for New Music : Sound, Technology, and Modernism /

A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-e...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Patteson, Thomas (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley, CA : University of California Press, [2015]
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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100 1 |a Patteson, Thomas,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Instruments for New Music :  |b Sound, Technology, and Modernism /  |c Thomas Patteson. 
264 1 |a Berkeley, CA :   |b University of California Press,   |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (250 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t Acknowledgments --   |t 1. Listening to Instruments --   |t 2. "The Joy of Precision": Mechanical Instruments and the Aesthetics of Automation --   |t 3. "The Alchemy of Tone": Jörg Mager and Electric Music --   |t 4. "Sonic Handwriting": Media Instruments and Musical Inscription --   |t 5. "A New, Perfect Musical Instrument": The Trautonium and Electric Music in the 1930s --   |t 6. The Expanding Instrumentarium --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a Open Access  |u https://purl.org/coar/access_right/c_abf2  |f unrestricted online access  |2 star 
520 |a A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. 
538 |a Mode of access: Internet via World Wide Web. 
540 |a This eBook is made available Open Access under a CC BY-NC-SA 4.0 license:   |u https://creativecommons.org/licenses/by-nc-sa/4.0   |u https://degruyter.uam.elogim.com/dg/page/open-access-policy 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Civil engineering. 
650 0 |a Communication. 
650 0 |a Electronic musical instruments  |x History. 
650 0 |a Engineering. 
650 0 |a Mass media. 
650 0 |a Music and technology  |x History. 
650 0 |a Music  |x Philosophy and aesthetics. 
650 0 |a Musical instruments. 
650 7 |a MUSIC / History & Criticism.  |2 bisacsh 
653 |a 20th century music history. 
653 |a developing new musical instruments. 
653 |a developing new musical technology. 
653 |a electronic musical instruments. 
653 |a history of music. 
653 |a jorg mager. 
653 |a mechanical instruments. 
653 |a media instruments. 
653 |a music and technology. 
653 |a music appreciation. 
653 |a music composition. 
653 |a music theory. 
653 |a music. 
653 |a musical aesthetics. 
653 |a musical automation. 
653 |a musical innovation. 
653 |a musical inscription. 
653 |a new music. 
653 |a new musical instruments in the 20th century. 
653 |a sound technology. 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of California Press Complete Package 2014-2015  |z 9783110621112 
856 4 0 |u https://doi.uam.elogim.com/10.1515/9780520963122?locatt=mode:legacy  |7 0  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9780520963122  |7 0  |z Texto completo 
912 |a 978-3-11-062111-2 University of California Press Complete Package 2014-2015  |c 2014  |d 2015 
912 |a GBV-deGruyter-alles 
912 |a ZDB-23-GOA