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|a 10.1525/9780520958029
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|a Herbert, Daniel,
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a Videoland :
|b Movie Culture at the American Video Store /
|c Daniel Herbert.
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|a Berkeley, CA :
|b University of California Press,
|c [2014]
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|c ©2014
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|a 1 online resource (332 p.)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
|b PDF
|2 rda
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0 |
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|t Frontmatter --
|t Contents --
|t Illustrations --
|t Acknowledgments --
|t Introduction: Video Rental and the "Shopping" of Media --
|t 1. A Long Tale --
|t 2. Practical Classifications --
|t 3. Video Capitals --
|t 4. Video Rental in Small-Town America --
|t 5. Distributing Value --
|t 6. Mediating Choice: Criticism, Advice, Metadata --
|t Coda: The Value of the Tangible --
|t Notes --
|t Selected Bibliography --
|t Index
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|a restricted access
|u http://purl.org/coar/access_right/c_16ec
|f online access with authorization
|2 star
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|a Videoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980s until the early 2000s, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture's historical move toward increased flexibility, adaptability, and customization.In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.
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|a Mode of access: Internet via World Wide Web.
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546 |
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|a In English.
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|a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)
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650 |
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|a Motion pictures
|x Social aspects
|x United States.
|
650 |
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|a Motion pictures
|x Social aspects
|z United States.
|
650 |
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0 |
|a Stores, Retail
|x Social aspects
|x United States.
|
650 |
|
0 |
|a Stores, Retail
|x Social aspects
|z United States.
|
650 |
|
0 |
|a Video recordings industry
|x Social aspects
|x United States.
|
650 |
|
0 |
|a Video recordings industry
|x Social aspects
|z United States.
|
650 |
|
0 |
|a Video rental services
|x Social aspects
|x United States.
|
650 |
|
0 |
|a Video rental services
|x Social aspects
|z United States.
|
650 |
|
7 |
|a PERFORMING ARTS / Film & Video / General.
|2 bisacsh
|
773 |
0 |
8 |
|i Title is part of eBook package:
|d De Gruyter
|t UC Press eBook Package 2000-2015
|z 9783110663341
|
773 |
0 |
8 |
|i Title is part of eBook package:
|d De Gruyter
|t UC Press eBook-Package 2014-2015
|z 9783110621112
|
773 |
0 |
8 |
|i Title is part of eBook package:
|d De Gruyter
|t UCal Press eBook Package 2014-2016
|z 9783110657487
|
856 |
4 |
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|u https://doi.uam.elogim.com/10.1525/9780520958029
|z Texto completo
|
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|a 978-3-11-062111-2 UC Press eBook-Package 2014-2015
|c 2014
|d 2015
|
912 |
|
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|a 978-3-11-065748-7 UCal Press eBook Package 2014-2016
|c 2014
|d 2016
|
912 |
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|a 978-3-11-066334-1 UC Press eBook Package 2000-2015
|c 2000
|d 2015
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|a EBA_FAO
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|a GBV-deGruyter-alles
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