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Sovereign Feminine : Music and Gender in Eighteenth-Century Germany /
In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, CA :
University of California Press,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 245 | 1 | 0 | |a Sovereign Feminine : |b Music and Gender in Eighteenth-Century Germany / |c Matthew Head. |
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| 520 | |a In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity-a newly emerging and primarily bourgeois ideal-linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 | |a Gender identity in music. | |
| 650 | 0 | |a Music |x Social aspects |z Germany |x History |y 18th century. | |
| 650 | 0 | |a Music |z Germany |y 18th century |x History and criticism. | |
| 650 | 0 | |a Women musicians |z Germany |x History |y 18th century. | |
| 650 | 7 | |a MUSIC / Genres & Styles / Classical. |2 bisacsh | |
| 653 | |a 18th century. | ||
| 653 | |a 19th century. | ||
| 653 | |a art. | ||
| 653 | |a authorial autonomy. | ||
| 653 | |a beauty. | ||
| 653 | |a bourgeois ideal. | ||
| 653 | |a classical music. | ||
| 653 | |a classical. | ||
| 653 | |a commercial culture. | ||
| 653 | |a engaging. | ||
| 653 | |a female composers. | ||
| 653 | |a female excellence. | ||
| 653 | |a female musicians. | ||
| 653 | |a femininity. | ||
| 653 | |a feminocentric values. | ||
| 653 | |a fine arts. | ||
| 653 | |a gender studies. | ||
| 653 | |a german states. | ||
| 653 | |a luxury. | ||
| 653 | |a masterworks. | ||
| 653 | |a music. | ||
| 653 | |a musical canons. | ||
| 653 | |a musical composers. | ||
| 653 | |a musical history. | ||
| 653 | |a musical performers. | ||
| 653 | |a musical. | ||
| 653 | |a patriotism. | ||
| 653 | |a performing arts. | ||
| 653 | |a refinement. | ||
| 653 | |a sensibility. | ||
| 653 | |a sex. | ||
| 653 | |a social issues. | ||
| 653 | |a virtue. | ||
| 653 | |a womens history. | ||
| 653 | |a womens issues. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of California Press Backlist Package 2000-2013 |z 9783110690422 |
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| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780520954762 |z Texto completo |
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