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Moving Viewers : American Film and the Spectator's Experience /
Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of mov...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, CA :
University of California Press,
[2009]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 100 | 1 | |a Plantinga, Carl, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Moving Viewers : |b American Film and the Spectator's Experience / |c Carl Plantinga. |
| 264 | 1 | |a Berkeley, CA : |b University of California Press, |c [2009] | |
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (296 p.) | ||
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| 520 | |a Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 | |a Motion picture audiences |x Psychology. | |
| 650 | 0 | |a Motion pictures |x United States |x United States. | |
| 650 | 0 | |a Motion pictures |z United States. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
| 653 | |a american film. | ||
| 653 | |a audience theory. | ||
| 653 | |a cinema and film. | ||
| 653 | |a cognitive science. | ||
| 653 | |a cultural studies. | ||
| 653 | |a desires. | ||
| 653 | |a emotional experience. | ||
| 653 | |a film criticism. | ||
| 653 | |a film studies. | ||
| 653 | |a film. | ||
| 653 | |a hollywood films. | ||
| 653 | |a mainstream narratives. | ||
| 653 | |a media studies. | ||
| 653 | |a movie criticism. | ||
| 653 | |a movie studies. | ||
| 653 | |a movie watching. | ||
| 653 | |a movies and emotions. | ||
| 653 | |a movies. | ||
| 653 | |a moving viewers. | ||
| 653 | |a negative emotions. | ||
| 653 | |a philosophical aesthetics. | ||
| 653 | |a pleasures. | ||
| 653 | |a psychology of spectatorship. | ||
| 653 | |a ritualistic fantasy. | ||
| 653 | |a sensual films. | ||
| 653 | |a spectators. | ||
| 653 | |a sympathetic narratives. | ||
| 653 | |a synesthesia. | ||
| 653 | |a the paradox of negative emotion. | ||
| 653 | |a watching a movie. | ||
| 700 | 1 | |a James, William, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Perkins, V. F., |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Roberts, Robert C., |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Wittgenstein, Ludwig, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of California Press Backlist Package 2000-2013 |z 9783110690422 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1525/9780520943919 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780520943919 |z Texto completo |
| 912 | |a 978-3-11-069042-2 University of California Press Backlist Package 2000-2013 |c 2000 |d 2013 | ||
| 912 | |a EBA_FAO | ||
| 912 | |a EBA_UCA_YUP | ||
| 912 | |a GBV-deGruyter-alles | ||