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Composing the Citizen : Music as Public Utility in Third Republic France /
In a book that challenges modernist ideas about the value and role of music in Western society, Composing the Citizen demonstrates how music can help forge a nation. Deftly exploring the history of Third Republic France, Jann Pasler shows how French people from all classes and political persuasions...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, CA :
University of California Press,
[2009]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 245 | 1 | 0 | |a Composing the Citizen : |b Music as Public Utility in Third Republic France / |c Jann Pasler. |
| 264 | 1 | |a Berkeley, CA : |b University of California Press, |c [2009] | |
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (817 p.) | ||
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| 520 | |a In a book that challenges modernist ideas about the value and role of music in Western society, Composing the Citizen demonstrates how music can help forge a nation. Deftly exploring the history of Third Republic France, Jann Pasler shows how French people from all classes and political persuasions looked to music to revitalize the country after the turbulent crises of 1871. Embraced not as a luxury but for its "public utility," music became an object of public policy as integral to modern life as power and water, a way to teach critical judgment and inspire national pride. It helped people to forget the past, voice conflicting aspirations, and imagine a shared future. Based on a dazzling survey of archival material, Pasler's rich interdisciplinary work looks beyond elites and the histories their agendas have dominated to open new windows onto the musical tastes and practices of amateurs as well as professionals. A fascinating history of the period emerges, one rooted in political realities and the productive tensions between the political and the aesthetic. Highly evocative and deeply humanistic, Composing the Citizen ignites broad debates about music's role in democracy and its meaning in our lives. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | |
| 650 | 0 | |a Music |x Political aspects |x History |x 19th century |x France. | |
| 650 | 0 | |a Music |x Political aspects |z France |x History |y 19th century. | |
| 650 | 0 | |a Music |x Social aspects |x History |x 19th century |x France. | |
| 650 | 0 | |a Music |x Social aspects |z France |x History |y 19th century. | |
| 650 | 7 | |a MUSIC / Genres & Styles / Classical. |2 bisacsh | |
| 653 | |a 1871. | ||
| 653 | |a aesthetics. | ||
| 653 | |a artists. | ||
| 653 | |a democracy. | ||
| 653 | |a discussion books. | ||
| 653 | |a effect of music. | ||
| 653 | |a engaging. | ||
| 653 | |a france. | ||
| 653 | |a french people. | ||
| 653 | |a french society. | ||
| 653 | |a global politics. | ||
| 653 | |a modern history. | ||
| 653 | |a modern life. | ||
| 653 | |a modern music. | ||
| 653 | |a music history. | ||
| 653 | |a music. | ||
| 653 | |a musicians. | ||
| 653 | |a national identity. | ||
| 653 | |a national pride. | ||
| 653 | |a nonfiction. | ||
| 653 | |a performing arts. | ||
| 653 | |a political. | ||
| 653 | |a public policy. | ||
| 653 | |a public utility. | ||
| 653 | |a role of music. | ||
| 653 | |a theoretical. | ||
| 653 | |a third republic france. | ||
| 653 | |a thought provoking. | ||
| 653 | |a value of music. | ||
| 653 | |a western music. | ||
| 653 | |a western society. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of California Press Backlist Package 2000-2013 |z 9783110690422 |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.1525/9780520943872 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780520943872 |z Texto completo |
| 912 | |a 978-3-11-069042-2 University of California Press Backlist Package 2000-2013 |c 2000 |d 2013 | ||
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