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The New German Cinema : Music, History, and the Matter of Style /

When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity-national, political, personal, and sexual-music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Flinn, Caryl (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley, CA : University of California Press, [2003]
Temas:
Acceso en línea:Texto completo
Texto completo

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245 1 4 |a The New German Cinema :  |b Music, History, and the Matter of Style /  |c Caryl Flinn. 
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520 |a When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity-national, political, personal, and sexual-music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference-including that embodied in Germany's difficult history-rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) 
650 0 |a Motion picture music  |x History and criticism  |x Germany  |x Germany. 
650 0 |a Motion picture music  |z Germany  |x History and criticism. 
650 0 |a Motion pictures  |x Germany. 
650 0 |a Motion pictures  |z Germany. 
650 7 |a PERFORMING ARTS / Film & Video / General.  |2 bisacsh 
653 |a cinema historians. 
653 |a contemporary germany. 
653 |a famous films. 
653 |a film buffs. 
653 |a film students. 
653 |a film styles. 
653 |a film textbooks. 
653 |a german cinema. 
653 |a german cinematic style. 
653 |a german culture. 
653 |a german directors. 
653 |a german music. 
653 |a germany. 
653 |a historical contexts. 
653 |a historical review. 
653 |a kitsch. 
653 |a music styles. 
653 |a music. 
653 |a national identity. 
653 |a new german cinema. 
653 |a nonfiction. 
653 |a personal identity. 
653 |a political identity. 
653 |a r w fassbinder. 
653 |a sexual identity. 
653 |a transnational contexts. 
653 |a ulrike ottinger. 
653 |a werner schroeter. 
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