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Russian Opera and the Symbolist Movement /

An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth ce...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morrison, Simon (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley, CA : University of California Press, [2002]
Colección:California Studies in 20th-Century Music ; 2
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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520 |a An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment.Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act.Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) 
650 0 |a Opera  |x 20th century  |x Russia (Federation). 
650 0 |a Opera  |z Russia (Federation)  |y 20th century. 
650 0 |a Symbolism (Literary movement)  |x History  |x 20th century  |x Russia (Federation)  |x Russia (Federation). 
650 0 |a Symbolism (Literary movement)  |z Russia (Federation)  |x History  |y 20th century. 
650 7 |a MUSIC / Genres & Styles / Opera.  |2 bisacsh 
653 |a canonical composers. 
653 |a drama. 
653 |a fiery angel. 
653 |a fin de siecle. 
653 |a legend of the invisible city of kitezh. 
653 |a libretto. 
653 |a maiden fevroniya. 
653 |a miracles. 
653 |a music history. 
653 |a music interpretation. 
653 |a music theory. 
653 |a music. 
653 |a musicology. 
653 |a mysterium. 
653 |a opera. 
653 |a operatic innovation. 
653 |a performance. 
653 |a performing arts. 
653 |a poetics. 
653 |a prokofiev. 
653 |a queen of spades. 
653 |a rimsky korsakov. 
653 |a russian music. 
653 |a russian opera. 
653 |a scriabin. 
653 |a silver age. 
653 |a spectacle. 
653 |a stravinsky. 
653 |a supernatural russian music. 
653 |a supernatural. 
653 |a symbolist movement. 
653 |a syncretism. 
653 |a tchaikovsky. 
653 |a theater. 
653 |a theurgy. 
653 |a translation. 
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856 4 0 |u https://doi.uam.elogim.com/10.1525/9780520927261  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9780520927261  |z Texto completo 
912 |a 978-3-11-069042-2 University of California Press Backlist Package 2000-2013  |c 2000  |d 2013 
912 |a EBA_FAO 
912 |a EBA_UCA_YUP 
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