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The War on Music : Reclaiming the Twentieth Century /
A prominent conductor explores how aesthetic criteria masked the political goals of countries during the three great wars of the past century This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped b...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Haven, CT :
Yale University Press,
[2022]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
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| 245 | 1 | 4 | |a The War on Music : |b Reclaiming the Twentieth Century / |c John Mauceri. |
| 264 | 1 | |a New Haven, CT : |b Yale University Press, |c [2022] | |
| 264 | 4 | |c ©2022 | |
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t 1. A View from 30,000 Feet -- |t 2. Brahms and Wagner: The Twilight of Two Gods -- |t 3. Stravinsky and Schoenberg: Overtures to the Great War -- |t 4. The Lure of Chaos -- |t 5. Hitler, Wagner, and the Poison from Within -- |t 6. Stalin and Mussolini Make Music -- |t 7. The Miracle of a Second Exodus -- |t 8. A New War, an Old Avant-Garde -- |t 9. A Cold War Defines Contemporary Music -- |t 10. Creating History and Erasing History -- |t 11. Of War and Loss -- |t 12. A Century Ends -- |t Appendix: A Personal Diary -- |t Notes -- |t Acknowledgments -- |t Index |
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| 520 | |a A prominent conductor explores how aesthetic criteria masked the political goals of countries during the three great wars of the past century This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. Probing why so few works have been added to the canon since 1930, Mauceri examines the trajectories of great composers who, following World War I, created voices that were unique and versatile, but superficially simpler. He contends that the fate of composers during World War II is inextricably linked to the political goals of their respective governments, resulting in the silencing of experimental music in Germany, Italy, and Russia; the exodus of composers to America; and the sudden return of experimental music-what he calls "the institutional avant-garde"-as the lingua franca of classical music in the West during the Cold War. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | |a Music |x History and criticism |y 20th century. | |
| 650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
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