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Visionary Fictions : Apocalyptic Writing from Blake to the Modern Age /

"Visionary" writers, says Edward Ahearn in this original book, seek a personal way to explode the normal experience of the "real," using prophetic visions, fantastic tales, insane rantings, surrealistic dreams, and drug- or sex-induced dislocations in their work. Their fiction ex...

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Detalles Bibliográficos
Autor principal: Ahearn, Edward (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Haven, CT : Yale University Press, [2022]
Temas:
Acceso en línea:Texto completo
Texto completo

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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t Chapter 1. An Anatomy of the Visionary: Blake's Marriage of Heaven and Hell --   |t Chapter 2. The Visionary and the Millennial: Navalis's Heinrich von Ofterdingen --   |t Chapter 3. Visionary Insanity: Nerval's Aurelia --   |t Chapter 4. Antivisionary Subversions: Lautreamont's Chants de Maldoror --   |t Chapter 5. Surrealism and Its Discontents: Breton's Nadja and Aragon's Paysan de Paris --   |t Chapter 6. The Sordid Sublime: Burroughs's Naked Lunch. --   |t Chapter 7. Visionary Women: Wittig's Guerilleres and Kincaid's At the Bottom of the River --   |t Conclusion --   |t Notes --   |t Index 
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520 |a "Visionary" writers, says Edward Ahearn in this original book, seek a personal way to explode the normal experience of the "real," using prophetic visions, fantastic tales, insane rantings, surrealistic dreams, and drug- or sex-induced dislocations in their work. Their fiction expresses rebellion against all the values of Western civilization-personal, sexual, familial, religious, moral, societal, and political. Yet even though they are anti-realistic, they do react to specific aspects of modern reality, such as the recurring promise and failure of social revolution. Ahearn, who finds this form at once exhilarating, immensely disturbing, vital, and subversive, explores the work of a wide variety of authors who have contributed to the genre from the late eighteenth century to the present day.Beginning with the appearance of visionary writing in the work of William Blake, Ahearn traces the development of the form in texts by widely scattered authors writing in French, German, and English. He includes Novalis, Lautréamont, Breton, William Burroughs, and contemporary feminists Monique Wittig and Jamaica Kincaid, among others. Quoting liberally from these authors, Ahearn summarizes the works and places them in context. General readers, as well as those who have studied these authors, will find this book an extraordinarily interesting tour of this little recognized and frequently misunderstood genre. 
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546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
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