On Art, Artists, Latin America, and Other Utopias /

Mostrar otras versiones (2)

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Camnitzer, Luis (Autor)
Otros Autores: Weiss, Rachel (Contribuidor, Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, [2021]
Temas:
Art, Latin American > 20th century.
Art, Modern > 20th century.
ART / Caribbean & Latin American.
Acceso en línea:Texto completo
Texto completo

MARC

LEADER 00000nam a22000005i 4500
001 DEGRUYTERUP_9780292799141
003 DE-B1597
005 20211129102213.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 211129t20212009txu fo d z eng d
020 |a 9780292799141 
024 7 |a 10.7560/719767  |2 doi 
035 |a (DE-B1597)588700 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a txu  |c US-TX 
050 4 |a N6490  |b .C228 2009eb 
072 7 |a ART044000  |2 bisacsh 
082 0 4 |a 709.04  |2 22 
100 1 |a Camnitzer, Luis,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a On Art, Artists, Latin America, and Other Utopias /  |c Luis Camnitzer; ed. by Rachel Weiss. 
264 1 |a Austin :   |b University of Texas Press,   |c [2021] 
264 4 |c ©2009 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
505 0 0 |t Frontmatter --   |t Contents --   |t Foreword --   |t Part I On and Against Translation --   |t Introduction --   |t Chapter 1 Contemporary Colonial Art (1969) --   |t Chapter 2 The Sixties (1998) --   |t Chapter 3 Exile (1983) --   |t Chapter 4 Political Po p (1998) --   |t Chapter 5 Access to the Mainstream (1987) --   |t Chapter 6 Wonder Bread and Spanglish Art (1989) --   |t Chapter 7 Cultural Identities Before and After the Exit of Bureau-Communism (1991) --   |t Chapter 8 Art and Politics: The Aesthetics o f Resistance (1994) --   |t Chapter 9 T he Artist's Role and Image in Latin America (2004) --   |t Chapter 10 Out of Geography and Into the Moiré Pattern (1996) --   |t Chapter 11 The Reconstruction of Salami (2003) --   |t Chapter 12 Printmaking: A Colony of the Arts (1999) --   |t Chapter 13 My Museums (1995) --   |t Chapter 14 The Forgotten Individual (1996) --   |t Chapter 15 Free-trade Diaspora (2003) --   |t Part II : Other Histories --   |t Introduction --   |t Chapter 16 Pedro Figari (1991) --   |t Chapter 17 Resoftenings and Softenings in Uruguayan Art (1991) --   |t Chapter 18 An Ode to Aqua tint (2003) --   |t Chapter 19 Revisiting Tautology (2006) --   |t Chapter 20 The Museo Latinoamericano and MICLA (1992) --   |t Chapter 21 Flying in Weightlessness (2004) --   |t Chapter 22 Brazil in New York (2001) --   |t Chapter 23 The Keeper of the Lens (2005) --   |t Chapter 24 The Two Versions of Santa Anna's Leg and the Ethics of Public Art (1995) --   |t Chapter 25 The Biennial of Utopias (1999) --   |t Chapter 26 Introduction to the Symposium "Art as Education/Education as Art" (2007) --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture. This volume gathers Camnitzer's most thought-provoking essays-"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) 
650 0 |a Art, Latin American  |y 20th century. 
650 0 |a Art, Modern  |y 20th century. 
650 7 |a ART / Caribbean & Latin American.  |2 bisacsh 
700 1 |a Weiss, Rachel,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Weiss, Rachel,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
856 4 0 |u https://doi.uam.elogim.com/10.7560/719767  |z Texto completo 
856 4 0 |u https://degruyter.uam.elogim.com/isbn/9780292799141  |z Texto completo 
912 |a EBA_BACKALL 
912 |a EBA_CL_AD 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_AD 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_ESTMALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a EBA_STMALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA12STME 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA18STMEE 
912 |a PDA5EBK 

Ejemplares similares