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Latino Images in Film : Stereotypes, Subversion, and Resistance /
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady-these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- CONTENTS
- ACKNOWLEDGMENTS
- INTRODUCTION
- PART ONE THEORY
- ONE. CATEGORIZING THE OTHER Stereotypes and Stereotyping
- TWO. STEREOTYPES IN FILM
- THREE. A CRASH COURSE ON HOLLYWOOD'S LATINO IMAGERY
- FOUR. SUBVERSIVE ACTS Latino Actor Case Studies
- PART TWO THE HOLLYWOOD VERSION Latino Representation in Mainstream Cinema
- FIVE. BORDERTOWN, THE ASSIMIL ATION NARRATIVE, AND THE CHICANO SOCIAL PROBLEM FILM
- SIX. THE MARGIN AS CENTER The Multicultural Dynamics of John Ford's Westerns
- SEVEN. IMMIGRANTS, ALIENS, AND EXTRATERRESTRIALS Science Fiction's Alien "Other" as (among Other Things) New Hispanic Imagery
- PART THREE LATINO SELF-REPRESENTATION
- BACKSTORY CHICANO AND LATINO FILMMAKERS BEHIND THE CAMERA
- EIGHT. EL GENIO DEL GÉNERO Mexican American Borderland Documentaries and Postmodernism
- NINE. ETHNIC INGENUITY AND MAINSTREAM CINEMA Robert Rodríguez's Bedhead (1990) and El Mariachi (1993)
- TEN. THE MARIACHI AESTHETIC GOES TO HOLLYWOOD An Interview with Robert Rodríguez
- CONCLUSION: THE END OF STEREOTYPES?
- NOTES
- INDEX