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Driving Visions : Exploring the Road Movie /
From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: t...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
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| 100 | 1 | |a Laderman, David, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Driving Visions : |b Exploring the Road Movie / |c David Laderman. |
| 264 | 1 | |a Austin : |b University of Texas Press, |c [2021] | |
| 264 | 4 | |c ©2002 | |
| 300 | |a 1 online resource (334 p.) | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGMENTS -- |t Chapter 1. PAVING THE WAY Sources and Features of the Road Movie -- |t Chapter 2. BLAZING THE TRAIL Visionary Rebellion and the Late-1960s Road Movie -- |t Chapter 3 DRIFTING ON EMPTY Existential Irony and the Early-1970s Road Movie -- |t Chapter 4 BLURRING THE BOUNDARIES The1980s Postmodern Road Movie -- |t Chapter 5 REBUILDING THE ENGINE The1990s Multicultural Road Movie -- |t Chapter 6 TRAVELING OTHER HIGHWAYS The European Road Movie -- |t NOTES -- |t BIBLIOGRAPHY -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself. This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) | |
| 650 | 0 | |a Road films |x History and criticism. | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 856 | 4 | 0 | |u https://doi.uam.elogim.com/10.7560/747319 |z Texto completo |
| 856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780292798144 |z Texto completo |
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