After Hitchcock : Influence, Imitation, and Intertextuality /

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Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this mo...

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Detalles Bibliográficos
Otros Autores: Acevedo-Muñoz, Ernesto R. (Contribuidor), Belton, John (Contribuidor), Boyd, David (Contribuidor, Editor ), Brill, Lesley (Contribuidor), Hark, Ina Rae (Contribuidor), Knee, Adam (Contribuidor), Leitch, Thomas M. (Contribuidor), Met, Philippe (Contribuidor), Metz, Walter (Contribuidor), Neupert, Richard (Contribuidor), Palmer, R. Barton (Contribuidor, Editor ), Sklar, Robert (Contribuidor), Tomasulo, Frank P. (Contribuidor), Verevis, Constantine (Contribuidor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, [2021]
Temas:
PERFORMING ARTS / Film & Video / History & Criticism.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Introduction
  • PART I: PSYCHO RECYCLED
  • For Ever Hitchcock Psycho and Its Remakes
  • Hitchcockian Silence Psycho and Jonathan Demme's The Silence of the Lambs
  • PART II: THE RETURN OF THE REPRESSED
  • Shadows of Shadow of a Doubt
  • Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal
  • PART III: THE POLITICS OF INTERTEXTUALITY
  • The Hitchcock Romance and the '70s Paranoid Thriller
  • Exposing the Lies of Hitchcock's Truth
  • PART IV: FOUND IN TRANSLATION
  • Red Blood on White Bread: Hitchcock, Chabrol, and French Cinema
  • "You're Tellin' Me You Didn't See" Hitchcock's Rear Window and Antonioni's Blow-Up
  • Melo-Thriller Hitchcock, Genre, and Nationalism in Pedro Almodóvar's Women on the Verge of a Nervous Breakdown
  • "Knowing Too Much" about Hitchcock The Genesis of the Italian Giallo
  • PART V: THEORETICALLY HITCHCOCKIAN
  • Death at Work Hitchcock's Violence and Spectator Identification
  • Hitchcock and the Classical Paradigm
  • PART VI: MODUS OPERANDI
  • How to Steal from Hitchcock
  • Notes on Contributors
  • Index

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