Chicano Art Inside/Outside the Master's House : Cultural Politics and the CARA Exhibition /
In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental ques...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Austin :
University of Texas Press,
[2021]
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgments
- A Theoretical Introduction: Alter-Native Ethnography, a to rasquache
- 1. The Solar of Chicano/a Popular Culture: Mi casa [no] es su casa
- 2. Through Serpent and Eagle Eyes: Intercultural Collaboration
- 3. Out of the House, the Halo, and the Whore s Mask: The Mirror of Malinchismo
- 4. "Between the Ghetto and the Melting Pot": Popular Hegemony
- Conclusion: The Mutation of Multiculturalism
- Appendix A Selected Viewer Comments
- Appendix B The Organizational Structure of the CARA Exhibition
- Notes
- Bibliography
- Index