Experimental Latin American Cinema : History and Aesthetics /

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While there are numerous film studies that focus on one particular grouping of films-by nationality, by era, or by technique-here is the first single volume that incorporates all of the above, offering a broad overview of experimental Latin American film produced over the last twenty years. Analyzin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tompkins, Cynthia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, [2021]
Temas:
Experimental films > Latin America > History and criticism.
PERFORMING ARTS / Film & Video / History & Criticism.
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • CONTENTS
  • ACKNOWLEDGMENTS
  • INTRODUCTION Mise-en-Scène, a Seemingly International Staging
  • PART ONE. A NEONOIR SKEW TO THE ACTION-IMAGE
  • CHAPTER ONE. A SHIMMERING SUTURE: Fabián Bielinsky's Epileptic El aura
  • CHAPTER TWO. SLIPPERY CRIMINAL PLEASURES Intermediality and Voyeurism in Jorge Furtado's O homem que copiava
  • CHAPTER THREE. ENDLESS QUEST Chasing Sex, Lies, and Money at the Gates of Hell in Heitor Dhalia's O cheiro do ralo
  • PART TWO. ROAD MOVIES
  • CHAPTER FOUR. THE PARADOXICAL EFFECT OF THE DOCUMENTARY: Walter Salles's Central do Brasil
  • CHAPTER FIVE. TWIN PIQUES: The Double Discourse of Carlos Sorín's El camino de San Diego
  • CHAPTER SIX. ORPHANS' SOLIDARITY: María Victoria Menis's El cielito
  • PART THREE. DRAMA
  • CHAPTER SEVEN. SCULPTING TIME: Inés de Oliveira Cézar's Como pasan las horas
  • CHAPTER EIGHT. THE PAST ENGULFS THE PRESENT: Josué Méndez's Días de Santiago
  • PART FOUR. EXPERIMENTAL AUTEURISM
  • CHAPTER NINE. WHETHER OR NOT TO END ONE'S LIFE: Carlos Reygadas's Japón
  • CHAPTER TEN. CRIME AND SELF-INFLICTED PUNISHMENT: Carlos Reygadas's Batalla en el cielo
  • PART FIVE. EXPERIMENTAL AUTEURISM AND INTERTEXTUALITY
  • CHAPTER ELEVEN, THE MIRACLE OF FEMALE BONDING IN PATRIARCHAL SOCIETY: Carlos Reygadas's Stellet licht
  • CHAPTER TWELVE. CYCLICAL SCAPEGOATING: Inés de Oliveira Cézar's Extranjera
  • CHAPTER THIRTEEN. THE IRREVOCABLE NATURE OF CURSES: Inés de Oliveira Cézar's El recuento de los daños
  • CHAPTER FOURTEEN. SPLINTERED MIRRORS, ECHOES, AND REVERBERATIONS: Fernando Pérez Valdés's Madrigal
  • PART SIX. EXPERIMENTAL PSEUDO-DOCUMENTARY
  • CHAPTER FIFTEEN. ROOM WITH A VIEW: Fernando Pérez Valdés's Suite Habana
  • CHAPTER SIXTEEN. LIFE IS AND IS NOT: Paz Encina's Hamaca paraguaya
  • CONCLUSION Possible Futures
  • NOTES
  • BIBLIOGRAPHY
  • INDEX

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