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Wagner'S Dramas and Greek Tragedy /
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Columbia University Press,
[1919]
|
| Colección: | Columbia University Studies in Classical Philology
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- I. Wagner's Enthusiasm for Greek, and His Genius for Dramatic Expression in Music
- II. Do Wagner's Dramas Uphold the Doctrine of Might or the Doctrine of Self-Sacrifice?
- III. Greek Influence and Greek Parallels in Wagner's Work
- IV. The Oresteia and the Ring of the Nibelung: Dramas of Crime and Atonement
- V. The Conclusion of the Meistersinger and the Conclusion of the Eumenides: Two Remarkable Reconciliations
- VI. Ajax and Amfortas: The Fallen Heroes
- VII. Isolde and Phaedra: Reluctant Confessions of Love
- VIII. Wagner's Music and the Parodos of the Seven Against Thebes
- IX. Wagner's Use of the Orchestra as a Medium for Poetic Expression
- X. Orchestral and Choral Preludes
- XI. Orchestral and Choral Conclusions
- XII. Long Scenes and Speeches
- XIII. A Few Remarks on Rhythms
- XIV. Points of Resemblance Between Wagner and the Greek Tragic Poets
- Bibliography