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The Cinema of Alexander Sokurov : Figures of Paradox /

One of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his f...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Szaniawski, Jeremi (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Columbia University Press, [2014]
Colección:Directors' Cuts
Temas:
Acceso en línea:Texto completo
Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Acknowledgements
  • Preface
  • Introduction: The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov
  • 1. Lonely Voice of Man: Singular Murmurs, Multiple Echoes
  • 2. Mournful Insensitivity: The Apocalypse of the Modern
  • 3. Days of the Eclipse: 'Adieu, Babylone'; Adieu, Tarkovsky
  • 4. Save and Protect: Of Angels and Flies
  • 5. The Second Circle: Winter, Light, and the Intimate Sublime
  • 6. The Stone: No Way Home
  • 7. Whispering Pages: Death, Nothingness, Memory
  • 8. Mother and Son: Time Abolished, Time Transfigured
  • 9. Moloch: Adi (and Eve): Fear Eats the Soul
  • 10. Taurus: 'Father, where art thou?'
  • 11. Russian Ark: Imperial Elegy
  • 12. Father and Son: Beyond Absolute Intimacy
  • 13. The Sun: Iconoclastic Humanism
  • 14. Alexandra: The Return to Neverwas and the Ambiguity of Romance
  • 15. Faust: Sokurov Waltz
  • Postscript. On the Poetics of Space in Sokurov's Tetralogy (Moloch/Taurus/ The Sun/Faust)
  • Conclusion. The (Im)Possibility of an Island
  • Postface
  • Addendum A: interview with Alexander Sokurov, 2005
  • Addendum B: interview with Alexander Sokurov, 2013
  • Filmography
  • Bibliography
  • Index