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The Dynamic Frame : Camera Movement in Classical Hollywood /

The camera's movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Keating, Patrick (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Columbia University Press, [2019]
Colección:Film and Culture Series
Temas:
Acceso en línea:Texto completo
Texto completo

MARC

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245 1 4 |a The Dynamic Frame :  |b Camera Movement in Classical Hollywood /  |c Patrick Keating. 
264 1 |a New York, NY :   |b Columbia University Press,   |c [2019] 
264 4 |c ©2018 
300 |a 1 online resource :  |b 100 b&w illustrations 
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505 0 0 |t Frontmatter --   |t CONTENTS --   |t Acknowledgments --   |t Introduction --   |t 1. American Cinema, German Angles --   |t 2. Purposes and Parallels --   |t 3. Dynamism, Seriality, and Convergence --   |t 4. Constructing Scenes with the Camera --   |t 5. Between Subjective and Objective --   |t 6. An Art of Disclosures --   |t Conclusion --   |t Note --   |t Bibliography --   |t Index 
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520 |a The camera's movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style.In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Cinematography  |z United States  |x History. 
650 0 |a Motion pictures  |x Aesthetics. 
650 0 |a Motion pictures  |z United States  |x History  |y 20th century. 
650 7 |a LITERARY CRITICISM / Modern / 20th Century .  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t CUP Single-User eBook-Package 2018  |z 9783110708639 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Columbia University Press Complete eBook-Package 2019  |z 9783110651959 
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912 |a 978-3-11-065195-9 Columbia University Press Complete eBook-Package 2019  |b 2019 
912 |a 978-3-11-070863-9 CUP Single-User eBook-Package 2018  |b 2018 
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