On the Screen : Displaying the Moving Image, 1926-1942 /
Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experimen...
Clasificación: | Libro Electrónico |
---|---|
Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
New York, NY :
Columbia University Press,
[2019]
|
Colección: | Film and Culture Series
|
Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
LEADER | 00000nam a22000005i 4500 | ||
---|---|---|---|
001 | DEGRUYTERUP_9780231548038 | ||
003 | DE-B1597 | ||
005 | 20220302035458.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 220302t20192019nyu fo d z eng d | ||
010 | |a 2019004423 | ||
020 | |a 9780231548038 | ||
024 | 7 | |a 10.7312/roge18884 |2 doi | |
035 | |a (DE-B1597)526857 | ||
035 | |a (OCoLC)1084621571 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a nyu |c US-NY | ||
050 | 1 | 0 | |a PN1993.5.U6 |
072 | 7 | |a PER004030 |2 bisacsh | |
082 | 0 | 4 | |a 791.430973 |2 23 |
100 | 1 | |a Rogers, Ariel, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a On the Screen : |b Displaying the Moving Image, 1926-1942 / |c Ariel Rogers. |
264 | 1 | |a New York, NY : |b Columbia University Press, |c [2019] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource : |b 65 b&w illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Film and Culture Series | |
505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGMENTS -- |t INTRODUCTION -- |t 1. Production Screens in the Long 1930s: Rear Projection and Special Effects -- |t 2. Theatrical Screens, 1926- 1931: Transforming the Screen -- |t 3. Theatrical Screens, 1931- 1940: Integrating the Screen -- |t 4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit -- |t Coda: Multiplicity, Immersion, and the New Screens -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced.Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of "classical" Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Motion picture industry |x Technological innovations. | |
650 | 0 | |a Motion picture industry-Technological innovations. | |
650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
650 | 0 | |a Motion pictures-United States-History-20th century. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2019 |z 9783110651959 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts 2019 |z 9783110605785 |o ZDB-23-DPK |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts, Architecture and Design 2019 English |z 9783110610017 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2019 English |z 9783110610765 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2019 |z 9783110664232 |o ZDB-23-DGG |
856 | 4 | 0 | |u https://doi.uam.elogim.com/10.7312/roge18884 |z Texto completo |
856 | 4 | 0 | |u https://degruyter.uam.elogim.com/isbn/9780231548038 |z Texto completo |
912 | |a 978-3-11-061001-7 EBOOK PACKAGE Arts, Architecture and Design 2019 English |b 2019 | ||
912 | |a 978-3-11-061076-5 EBOOK PACKAGE COMPLETE 2019 English |b 2019 | ||
912 | |a 978-3-11-065195-9 Columbia University Press Complete eBook-Package 2019 |b 2019 | ||
912 | |a EBA_CL_MUAR | ||
912 | |a EBA_EBKALL | ||
912 | |a EBA_ECL_MUAR | ||
912 | |a EBA_EEBKALL | ||
912 | |a EBA_ESSHALL | ||
912 | |a EBA_PPALL | ||
912 | |a EBA_SSHALL | ||
912 | |a EBA_STMALL | ||
912 | |a GBV-deGruyter-alles | ||
912 | |a PDA11SSHE | ||
912 | |a PDA12STME | ||
912 | |a PDA13ENGE | ||
912 | |a PDA17SSHEE | ||
912 | |a PDA5EBK | ||
912 | |a ZDB-23-DGG |b 2019 | ||
912 | |a ZDB-23-DPK |b 2019 |