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Imitation and Creativity in Japanese Arts : From Kishida Ryusei to Miyazaki Hayao /
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Columbia University Press,
[2016]
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| Colección: | Asia Perspectives: History, Society, and Culture
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| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
Tabla de Contenidos:
- Frontmatter
- Contents
- Introduction
- PART I. A Historical Construction
- 1. Copycat Japan
- 2. The West and the Invention of Creation
- 3. The Denial, Rejection, and Sublimation of Imitation
- 4. No Poaching
- 5. Seen from Japan
- 6. The Logic of Reflection in Nakai Masakazu
- PART II. A New Place for Imitation
- 7. Kishida Ryūsei's Portraits of Reiko, or, How Can Ghosts 75 Be at Work?
- 8. Kurosawa Akira's Ikiru , or, the Impossibility of Metaphor
- 9. Araki Nobuyoshi's Sentimental Journey-Winter , or, 137 Eternal Bones
- 10. Miyazaki Hayao's Spirited Away , or, the Adventure of 175 the Obliques
- Conclusion
- Notes
- Select Bibliography
- Index